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9 My Childhood | Eager Reader
THE FRYING PAN OR THE FIRE?

THE FRYING PAN OR THE FIRE?

THE FRYING PAN OR THE FIRE?

I went back to Minnesota the summer after eighth grade with the secret resolve that I was going to stay. I didn’t tell my mother, of course, or she would never have let me leave. I didn’t even tell my brother, though he might have wanted to be included in the plan.

But when my father met us at the bus station, the first thing he told us was how sick he was and how disabled he’d become. That night, in the tiny back bedroom of his latest apartment, I cried myself to sleep, feeling my last hope blasted.

My father complained of a fiery pain throughout his body whenever he exerted himself—his doctors had diagnosed arthritis. He was now an invalid—bedridden except for the few hours he still taught at the university; he’d had to cut back on his classes and relied heavily on his TA’s.

When I think of that summer, I don’t remember any real contact with him at all—he sequestered himself in his bedroom, as distant as my mother had been in the two years after the divorce—but even colder. It was as though he’d walled himself off from my brother and me so he could never be hurt again. (Years later he would tell me that the day we’d left for California was the bitterest day of his life.)

I remember trying to engage him in intellectual conversation, asking on one occasion if time could exist without movement, but he dismissed my question, saying a discussion of time would be beyond my comprehension.

Another time I told him about a program I’d seen on mountain lions. “When they’re cubs—even when they’re nearly full-grown—the animals that will become their prey aren’t afraid and will play with them,” I said. “But when they start hunting for themselves, the same animals flee, knowing that they’re dangerous now.” At which point my father laughed scornfully at me. “Your statement is absurd,” he said. “You don’t have the slightest idea of the philosophical complexities of the word ‘know.’ To claim that animals can ‘know’ anything is preposterous.” That’s when I began to feel there were hidden booby traps in language and that I had to be careful of every word I spoke.

In the meantime, my brother and I were left to fend for ourselves; we bought the groceries, cooked the meals, cleaned house—I wound up doing the lion’s share—and played with our cousins, who lived a few blocks away. Sometimes we took the bus to St. Anthony Park to see our old friends. But to me, there was even a sadness about that—they’d gone on with their lives, I felt, and left me far behind.

At the end of the summer, I decided to go back to California, after all. I wouldn’t have been able to go to Murray High with my friends, anyway, since my father now lived in another part of the Twin Cities. I’d fantasized that he would be willing to move back to St. Anthony Park, but now I realized he wouldn’t. I suppose I was proof of the tenet that children will choose negative attention over no attention at all.

Years later I wrote:

“By the end of eighth grade, three years after my parents’ divorce, I felt I’d lost everything: St. Anthony Park, which would always be home to me, as well as all the people I loved—first Wolfy through distance and circumstance, then Kathy, who rejected me, my father, who withdrew emotionally, and my mother, who turned on me. I lost my belief in myself—in my own goodness, intelligence, talent, and ability to cope, as well as a childish belief in my own indestructibility. And I lost my faith in people—their goodness, constancy, and their ability to triumph over adversity. I lost my belief in love itself.”

SHAMED

SHAMED

SHAMED

In California, my mother became someone I didn’t recognize. She was alternately hysterical and wrathful, haranguing and disparaging and blaming both Doug and me, though most of what she accused us of, I eventually came to realize, were things she mistakenly thought we’d done or imagined we were going to do.

In Minnesota, my father had always been the disciplinarian in the family, and I can honestly say I don’t remember, in all the years before the move, my mother ever even scolding me. In the first place, I was a well-behaved child who naively believed that it was possible for a person to be perfect—and that’s what we all should aspire to be.

On the rare occasions my dad “disciplined” me when I was younger—for what, I no longer remember—he stripped me, put me in our old-fashioned claw-foot bathtub, and using a hose, showered me with cold water. Years later, when I heard about how Estelle had stripped his brother Ray and put him in the bathtub, where she beat him with an iron cord, it occurred to me that my father was repeating what he’d seen as a child, but since he wasn’t beating me, he imagined there was nothing abusive about what he was doing. Actually, I think there was—because I came to associate nakedness with shame. And I think for a father to strip a female child to punish her is a violation that borders on the incestuous. (My brother he spanked with a belt.)

But if my dad had shamed me physically, it was my mom who resorted to shaming me verbally. I was thirteen years old and, never having been treated this way before, I knew that I didn’t deserve her vitriol, and I felt outraged by it. She verbally abused my brother too, calling us both “selfish,” “manipulative,” and “exploitative.”

What’s more, she flew into violent rages and would chase one or the other of us up the stairs of our little apartment, so frenzied that she could only make grunting noises like a wild animal, and try to claw at us with fingers like talons. Fortunately, we were old enough to outrun her and would lock ourselves in the bathroom until she calmed down. Later she would weep and apologize.

The last time I saw my father, he told me he’d seen this rage in my mother once during their marriage and never felt the same way about her again. But I’d never so much as glimpsed this side of my mom before. If I had, as miserable as I’d become in Minnesota, I would never have agreed to move to California. In fact, it wasn’t long before I’d made up my mind that when my brother and I went to visit my dad the following summer, I would stay on and live with him permanently. I kept this resolve a secret, even from my brother, for fear he would let the cat out of the bag. Even a father who intimidated me was better than a mom who used her children as scapegoats.

And perhaps I should mention before I go any further that in California my mom had become a marriage and family therapist.

FREUDIAN SLIPS

FREUDIAN SLIPS

FREUDIAN SLIPS

It’s been a little over a year since I wrote in my journal:

Today I made a decision as I was driving back from the Plunge after me swim: that when my website—Eager Reader Press—goes up next month, I’m going to use it not just to sell the children’s books I’ve written and illustrated, but, at least occasionally, as a platform to talk about child abuse and the impact it has had on my life.

The catalyst for this decision was an insight I had the other morning when I woke up from a recurring abandonment dream. Throughout my adult life I’ve made two types of Freudian slips—not in speech, but in writing:

One is to unwittingly write “a” instead of “I,” as though I were an indefinite article rather than a definite one—an error I make whether I’m writing in longhand or typing. I also write “my” instead of “me,” again as though I were a collection of attributes but lacked a cohesive sense of self. On the infrequent occasions I’m feeling a buoyant confidence, however, I’m apt to make the opposite mistake and write “I” for “a” and “me” for “my,” which I see that I did in my first sentence—a promising sign.

The second mistake I’m liable to make is to omit “not” or the contraction “n’t” in a sentence. Why do I try to write a negative statement and find, when I re-read it, that I’ve written a positive one? I’ve wondered for years. After my dream, I think I finally understand: What I commit to the page represents the overt—the public—side of myself, the face I show to the world. I omit “not” and “n’t because they represent the negative side of myself that I try to keep hidden—the anxiety, anger, and shame that are a legacy of my childhood. And so it remains hidden on the page—an unconscious reminder of all that I’m leaving unexpressed.

SHARP NEEDLES

SHARP NEEDLES

SHARP NEEDLES

My mother, brother, and I moved from the cavernous old house on Doswell, surrounded by lilac bushes, into a brand new—but tiny—apartment in Berkeley. Mom gave the two small bedrooms upstairs to Doug and me and slept downstairs on the sofa. At last she had the modern apartment she’d always wanted. She decorated it with dispatch, choosing modern furniture with walnut veneers from Montgomery Ward. The carpet was pragmatically speckled black and white and didn’t show the dirt. My main memory of that carpet is of my brother taking a golf swing that tore loose a patch of it that flew across the room. Luckily Mom wasn’t home. I sewed it back on, and she was never the wiser.

There was a balcony over the carport that we never used, except for a little tree my mom bought to be our Christmas tree in the years to come. But the needles were so sharp you could hardly decorate it.

My bedroom was pale green, and this time I chose my own furniture. I got a white corner desk with matching chests of drawers on either side, also sheer curtains that flowed from light blue to moss green over a long slatted window that started just above the floor. My main memory of that window is of my brother murmuring, in a high falsetto, “I love you, Karl,” through the open slats when Karl, the teenage boy who lived in apartment one, was sweeping the sidewalk below. I’d hidden my diary in a box tacked to the back of a drawer, and somehow Doug had found it and discovered my secret crush.

The staircase to the second floor was slatted as well, a construction that always seemed flimsy and unsafe to me. Sometime during that first year in California my mom began to have recurrent nightmares—about a sinister intruder who would break into the apartment in the dead of night and creep up on her, intent on killing her in her bed. From my own bad dreams, I’d hear a thin, eerie, high-pitched wail for help—and start awake, terrified, myself, until I remembered what it was. The first few times it happened, I called, “Mom?” and she woke up. But soon my calling stopped working because she incorporated it into her dream. So I started going to the head of the stairs and snapping on the hall light, which lighted the downstairs too, since the steps were slatted. And that would wake her up. Eventually, however, she integrated the light into her dream too, and the only way I could wake her from her nightmare was to go downstairs and shake her.

As for me, I was having difficult nights of my own:

“I dreamed Mom had a baby that was so heavy I had trouble cradling it. I accidentally allowed its head to drop to one side, and after that it held its head crookedly, as though it were injured. Worried, I told her I wondered if it had broken something, but she seemed unconcerned. When blood started dripping from the baby’s nose, I became distraught. A moment later it died in my arms. My mother turned away, unperturbed, while I began to keen with despair.”

A block away lived my mom’s younger brother Bill, his wife Audrey, and their son Billy, a year older than my brother. Bill and Aud had married at ages eighteen and sixteen respectively, and at twenty-one Bill had contracted polio. (For the rest of his life he walked with a brace on one leg.) In the years that followed, Mom would spend much of her free time over at their place, forging a life-long friendship with Audrey, while Doug would find a companion in Billy, as well as our other male cousin, Nick. But I would never experience, with any of my California relatives, the emotional connection I’d hoped for. As for a stepfather, as far as I know, when the only man Mom ever dated after the move turned out to be married, she swore off men definitively.

SUNNY

SUNNY

SUNNY

What I remember most about the two years after the divorce is my loneliness.

When I was in seventh grade, Mom was diagnosed with uterine cancer. She had a partial hysterectomy—they’d removed her uterus but left her ovaries—and her cancer was never mentioned again. But by then, she’d already become a shadow figure in my life. First Jane, a friend of hers, had moved in, along with her husband and son, to help pay the rent. The only two things I recall about them was that Jane’s husband put up a calendar of obese “pin-up” girls—drawings, not photos—wearing things like daisies on the their nipples as pasties, a new concept to me. And one day their little boy, Davy, knocked the butterfly case with the magnificent luna moth off the wall, breaking the glass and shattering the moth’s wings.

When they moved out, Mom took in two boarders—college girls who had the upstairs bedrooms across from my brother and me. My mom would often talk to them behind closed doors—about their problems, apparently—and I remember thinking wistfully, “she spends more time with them than she does with me.” The one conversation I remember with my mother during this time was when I got my first period. “You’ve become a woman now,” she said. But all I felt about it was a kind of bleakness.

I also recollect having a bladder infection that I never told anyone about. Sometimes, when I walked home from school, I had to stop to twist and tighten my legs, trying to stop myself from “urinating,” as my dad would say. He always used formal terms like “defecate” and “feces.” If memory serves, I had the infection—not that I knew what it was—for most of the winter, and eventually it cleared up on its own.

Out of sequence, I’m also remembering my new little striped kitten dying of distemper on the day he was supposed to get his second distemper shot. We laid him on the door of the stove and turned the oven on low to keep him warm. I called him Archie, short for Archimedes, which was my father’s idea. But that happened before my dad left.

Doug and I did see our dad some weekends. The routine was he’d pick us up in the late afternoon, we’d play cribbage and have popcorn, go to a movie, then spend the night. But there was an empty perfunctoriness to these evenings together. One of my father’s apartments was near a railroad track, and I’d hear the lonely, mournful sound of train whistles throughout the night. Once, when our dad took us up to a northern lake, he stayed up playing the harmonica after Doug and I went to bed—and his playing reminded me of those whistles; I ached with sadness for him, feeling that he’d been forced into a kind of exile by the divorce, pushed out into the cold.

Sometime during that first year in the Doswell house, I started wrapping one arm around myself in bed at night, trying to find comfort in the fantasy that someone was holding me, something I would do for years to come.

So when my mom started talking about moving to California, she painted such a rosy picture that I got caught up in the idea of a fresh start, surrounded by affectionate relatives that I’d only seen on the few trips we made, and maybe even, eventually, with a stepfather nicer than my own father. Naively, I imagined I could leave my failures behind—the humiliations I’d suffered, the loss of friends, of prestige and self-respect, as well as a sense of belonging. In my new life, I decided, I would tell everyone that my nickname was “Sunny.”

SINGER

SINGER

SINGER

My dream, from the age of twelve on, was to become a singer.

Unlike my parents, I was musical, and when, in fifth grade, my friend Margie started taking violin lessons at school from visiting music teacher Miss Perchett, I took up the viola. I’d wanted, a couple of years earlier, to start piano lessons when Kathy did, but we didn’t have the money or space for a piano in the Raymond apartment. I also had a pleasing voice, good pitch, and loved to sing in harmony. (Whenever I sang around the house, however, my mother would effuse about her sister Dory’s beautiful voice, as I’ve said.)

In sixth grade I was chosen for a role in the school musical but then came down with tonsillitis and missed rehearsals—so I wound up in the chorus. Actually, I was relieved by this outcome because that spring, for the first time, I’d become paralyzed with performance fright at my dance recital and, onstage, forgot the choreography of the piece a classmate and I had created together. I’d had to bumble my way through it to the end.

That was the year, I’ve also recounted, that my parents divorced, I was humiliated by my sixth-grade teacher, and my best friend Kathy dumped me. In a tailspin, I began to drop out of one thing after another. Though Miss Perchett had told me she would “boil me in oil” if I ever quit the viola, I did. I dropped out of Camp Fire Girls too, partly because I didn’t feel confident about being able to earn enough beads to decorate my felt bolero. And when our dance class ended after sixth grade, I didn’t go on to study dance elsewhere, like my friends Mary and Margie, because of my pigeon toes. I also stopped playing sports. I’d been the most daring and competitive of all the girls when we played dodgeball, our major athletic recreation at school during the winter months. I would run right up to the line across the middle of the auditorium that divided our two teams—and catch the fly ball, no matter how hard it was thrown at me, then lob it right back. But in high school, when we started playing softball, I would hide at the end of the line of batters, hoping to avoid ever having to come up to bat at all.

Still, there was one ray of hope at the beginning of seventh grade at Murray High, which was a combination junior high and high school. I have a vivid memory of standing on the riser in the music room in the midst of a large group of kids auditioning for the chorus. When my turn came, the choir director exclaimed, “Listen to that voice! It’s like a bell!”

When I found out that my friend Mary’s older sister was taking voice lessons, I knew that’s what I wanted to do too. It would be another decade before I would be able to, however, and when I was forced to quit after ten months of intensive study—because my father rescinded the small allowance he’d promised me for college—my voice teacher warned me, “If you quit now, you’ll never sing.” I begged my mother for the money to continue—it was my last semester at Cal, and I was already working part-time at the language lab. But she refused, screaming at me, “You want everything—and you want it now!”

Just as her father had refused to help her achieve her dream, my mother refused to help me realize mine. And so history repeats itself. But I’m getting ahead of my story.

DAREDEVIL

DAREDEVIL

DAREDEVIL

Don’t think because my pediatrician said I wouldn’t have survived infancy without antibiotics that I was a sickly child. Throughout my elementary school years I was physically active, robust enough to chase lizards and butterflies with my father and brother and play all the sports and games the neighborhood kids did. In a modern dance recital one spring, I was chosen, despite my pigeon toes, to be the queen in our class’s performance of The Emperor’s New Clothes, while my friend Mary, the tallest of all of us, played the emperor and Margie, the shortest, played the little girl who broadcast to the world that the emperor was naked. I was even a bit of a daredevil.

But I was subject to bouts of tonsillitis and strep throat, when my temperature would soar to 104 degrees and I would become delirious. One of the sensations I experienced when I was running a high fever was of some nameless force at a remove from me building relentlessly, gathering heft, until it exploded suddenly, streaming thin and sharp, skewering me like spear, only to recede and begin gathering force again. The antidote was an injection of penicillin in my bottom.

Even the summer after sixth grade I was still chasing reptiles—in the heat of Death Valley—and swimming—in the ocean in San Diego. When I found out that my three closest friends were going to Camp Fire Girls camp together, as I’ve said, I agreed to go with Doug and my dad on a cross-country trip to La Jolla in California. He’d been invited to teach that summer at U. C. San Diego, swapping places with a professor there and residences as well. But if I thought a change of scene would ease my unhappiness, I was wrong.

I’d always been sensitive about killing other creatures and had only gone along with “stunning” the butterflies we caught—by pinching their thorax—because my dad expected it of me. Even when we were surrounded by huge yellow and gold sulphurs after crossing the border into Mexico, beautiful butterflies we’d never seen before, I silently rebelled against catching them, though I was too intimidated by my father to admit how I was feeling. As for chasing reptiles in the desert, I remember being so hellishly hot—despite the jug of sour limeade my dad always kept in the car—that I wished I was anywhere else. (I’m reminded that a few years earlier a friend of Dad’s, who was along on one of our outings, told my mother that our father’s indifference to our childish needs and limitations amounted to abuse.) While years later my father would tell me that this summer with Doug and me provided closure for him after the divorce, I only remember being deeply depressed the whole time. I didn’t make any friends in La Jolla until my last few days there, and found nothing better to do during those ten tedious weeks than read all the movie magazines I came across in a drawer in my teenage counterpart’s bedroom.

One harrowing incident from that summer stands out in my mind: Somewhere in the southwest on a searingly hot day, while my dad and brother stayed indoors in the air-conditioned motel room, I tied a bandana around my feet and jumped into the motel pool to see if I could swim without using my legs. Immediately I started to panic—and to drown. Luckily the thrashing around I did loosened the knot in the bandana, which freed my legs as I went under a second time.

 When I look back on this crazy stunt, I’m reminded of my cousin Michael—and it occurs to me that children in emotional straits are liable to engage in risky behavior, courting disaster, as though (in my case, paradoxically) they had an unconscious death wish. Michael was often beaten by my uncle, and he’d climbed back into the sewer trench even though the workmen had warned him it was dangerous and to stay away.

SPIRITUAL

SPIRITUAL

     “There are persons, for instance, whom we find indulging to their heart’s content in prospects of immortality; and there are others who experience the greatest difficulty in making such a notion seem real to themselves at all. These latter persons are tied to their senses, restricted to their natural experience; and many of them, moreover, feel a sort of intellectual loyalty to what they call ‘hard facts,’ which is positively shocked by the easy excursions into the unseen that other people make at the bare call of sentiment. Minds of either class may, however, be intensely religious. They may equally desire atonement and reconciliation, and crave acquiescence and communion with the total soul of things.”—William James, Varieties of Religious Experience

 

     When I first read these lines in my thirties, I found myself ardently wishing that someone had conveyed this idea to me when I was a child—because I always I felt, growing up a nonbeliever in a church-going community, deficient and set apart, as though there were something essential missing in me. I tried to pray; I searched for faith. But the Christian ideas that I got second-hand from my friends—of angels playing harps on clouds for all eternity, for instance—did nothing to sustain or comfort me. In seventh grade I started going to the Unitarian Church in Minneapolis with my friend Mary. I’m not sure why my father allowed this, except I know he was impressed with the minister Dr. Storm’s intellectuality and he approved of his politics. And perhaps he was confident that with the power of logic, he’d already inoculated me against faith. Still, as belatedly as I read James’ words, it was profoundly important to me to recognize that being tied to my senses and loyal to hard facts did not mean I wasn’t a spiritual being.

DESPAIR

DESPAIR

DESPAIR

While my father had no fear of death, I did—though I’ve come to realize that it could be more accurately described as a death “despair.” And I know the exact day in my life that it began—Valentine’s Day of my fateful sixth-grade year.

By then I knew two children who’d died, Peter Wright, my crush in first grade, who’d drowned in a lake, and my cousin Michael in California, who’d been buried alive. He’d been playing in a trench where new sewer pipes had been laid down when a dump truck came and dropped a load of dirt on him.

For my Valentine’s Day slumber party, I’d decorated the dining room, where my friends and I would sleep. I’d strung red crepe paper streamers from an old light fixture in the middle of the room—like spokes—taping them to the walls, then I’d hung large red paper hearts from them with thread. Sometime in the night, under this festive canopy, I woke up and looked around at my sleeping friends and thought, “One day we’ll all be buried and decaying in coffins in the ground.” Immediately I was overwhelmed by a feeling terrible beyond words to describe it—an agony so deep that my mind immediately closed over it like water over a dropped stone, and I was left with my heart pounding wildly in my chest. (This was only a few months before Mr. Main would call me “an arrogant little snot.”)

Since then I’ve experienced other feelings painful beyond words to describe them—anger and grief so intense, it has felt as though my mind must crack irrevocably. This emotional trove of pain was the legacy of my childhood, I understood at the time, which didn’t come unlocked until I was betrayed by a boyfriend who impregnated a younger woman—I was in my forties by then and too old to have children. I remember a night when I woke up repeatedly, feeling such anguish that I scrawled messages on sheets of paper and hung them from drawers so that I would see them the next time I woke up: messages like “They are only feelings, they can’t destroy you”—because it felt as if they must—and “They are only feelings, they will pass.”

My death despair was in the same category of seemingly unendurable emotions and was to revisit me often throughout my adolescence. In the moments it did—usually at night—I was liable to throw myself against a wall before my mind could close over it again and blot it out.

When my brother, as a child, asked my father what happened to you when you died, he said, “They put you in the ground and you rot.” I don’t remember the moment I asked my father the same question, but, of course, that’s the answer he would have given me too.

SNOT

SNOT

SNOT

Above is another of Kathy’s entries in my Bluebird autograph book after we’d learned cursive. It’s written so lightly on a blue page that I had to use Photoshop to make it legible.

As I wrote in “Cheater, Cheater…” in the fifth grade I had a teacher who didn’t like me. And in the spring, while we were taking a standardized reading test, she admonished me, “Cathy, why do you feel the need to cheat?” But Mrs. Koehler didn’t stop there. She also, apparently, convinced the principal to remove me from the class I’d gone all through elementary school with and place me in the “other” class for my sixth-grade year, taught by the only male teacher in the school, Mr. Main. At the time I believed this was because I wasn’t smart enough to remain in the gifted group with my friends Wolfy, Margie, Mary and several others. Actually, there was a range of abilities among the kids in my class—but, to me, they were all my school family.

My sixth-grade year I would work so hard not to fall into further disgrace that I soon became visible as the best student in Mr. Main’s class. The second semester I was even elected class president…and wound up teacher’s pet— something I never wanted and that made me uncomfortable; all I wanted was not to fail. And, anyway, none of this was enough to make me feel smart again or restore my confidence—I simply believed that I worked harder than all the other kids. Though I had one friend in the class—Kathy—I still felt like an outcast, a feeling that has never entirely left me.

Nevertheless, I gave a little lesson on drawing cartoons in class one day and held a cartoon contest. I had learned to hide my feelings, intuiting—correctly, as it happened—that my parents’ “love” was conditional and depended upon me being a model, trouble-free child: mature, independent, and seemingly well-adjusted. (In my father’s case, he was so judgmental about “weakness” that I strove to avoid any behavior that would invite his scorn and derision.) Mr. Main also allowed me to head up a team to draw, in pastels, the sorcerer’s house—scenery for the school musical. And for the space of a few days, I felt like I was in my element.

All the while, my parents were going through an acrimonious divorce. Because my dad considered himself the primary parent, he bitterly resented the fact that mothers were generally awarded custody of their kids at the time. Actually, he only agreed to the divorce—this was before no-fault divorces—on the condition that my mother never take Doug and me out of state. For her part, Mom resented all the money he started spending on himself, including buying a new car while she was left to drive our old one, which was freezing in winter because the floor had rusted through.

In school that spring we were assigned to do a comprehensive report on a country of our choosing. I chose Australia, and I still remember poring over books in the library and drawing meticulous maps for hours—another exercise in obsessiveness.

In addition to the written report, we had to give an oral report. On the day I was supposed to give my presentation, I was beside myself because I hadn’t managed to memorize it all yet. I asked Mr. Main if I could do it the following day, but he said no—whereupon I went and hid in the girls’ bathroom. So he sent Kathy to bring me back. But I was so afraid of humiliating myself that, not knowing what else to do, I walked out of the school and home. The next day I delivered my report without a hitch.

But Mr. Main wasn’t about to forgive me for defying him. A week or two later he used an inadvertent mistake I made to reassert his authority. He called me an “arrogant little snot” and told the class he was keeping them inside for recess that day because of me.

Then two things happened: The first—Kathy dumped me. As I said in “Bub,” we’d gone to camp together every summer, to Lake Cheewin as Bluebirds, then Lake Ojekita as Camp Fire Girls. We’d planned to do the same thing that summer after sixth grade, but when we filled out the registration forms at a meeting, I found out that she’d signed up to be cabin mates with my friends Margie and Mary instead of me. I was necessarily excluded because you could only choose two cabin mates. I was so hurt, my mom called Kathy’s mother—to no avail. Forever after that Kathy kept her distance—with one exception that was years in the future.

Also, shortly before the move from the Raymond apartment, WoIfy and I had gone down to Margie’s house to play one day, and for the first time in all our outings, I’d had to walk home alone. Wolfy had a crush on Margie and wanted to stay behind. What’s more, because my family had been evicted by Davona and Lou, Wolfy and I no longer walked to school together, nor were we in the same class, now that I’d been transferred. I lost my two best friends that year and wouldn’t have another best friend until I was an adult.

The second thing that happened was that I would go into hiding in seventh grade and beyond—at school, at least. Never again would I seek recognition in the classroom, sit near the front of the room, raise my hand when I knew the answers, demonstrate my knowledge. Instead I would hunker down at the back, trying to be as invisible as possible. (I proved so adept at this it took my French teacher in California two years to realize I was the best student in her class.)

In the end, I didn’t manage to finish the written part of my report on Australia by the deadline—and forever after that I was haunted by doubt that I could complete any kind of ambitious project.

As for cheating, if Mrs. Koehler had hoped to cure me of it, she didn’t succeed. I have a vivid memory of sneaking back into my English classroom after school in seventh grade—to change the “can nots” I’d written in the Gettysburg Address to “cannots.” That I would take such a big risk to correct such a small mistake speaks volumes, I think, about my precarious emotional state.