FORGOTTEN SONG

FORGOTTEN SONG

Early the next morning, she found Zeke out on the porch sweeping wet leaves. It was the day of his Open House. She put her arms around him and told him she wanted to go to Chicago with him. She felt incredibly happy. Then she went downstairs and took her guitar out of its case and began to sing, and, strangely, she found herself singing a song she’d written years ago and had, until then, lost all memory of.

 

PIZZA BREATH

He had told her he couldn’t take her to Chicago with him—he’d be too preoccupied and would have too much to do.

That evening he came knocking at her door just as she was shutting her book to go to bed. She wasn’t about to open the door, she was still so mad. All she wanted to do was sleep—to blot him out. But he went around the back of the house and tapped on her window…so finally, grudgingly, she let him in. As she crawled back into bed, he stretched himself out on top of the covers beside her.

“Something smells good,” he said.

“It must be my breath,” she said dryly. “Onions, garlic…I had leftover pizza for dinner.” She covered her mouth with the bedspread. He moistly kissed her nose. She covered her nose…he kissed her eyes. She covered her eyes…he kissed her forehead.

“I think I’ll stay under here,” she said. “It’s wet out there.”

Each time she tried to peek out, he tried to kiss her. And when he began to laugh, his stomach jiggling on top or hers made her laugh too.

RUBBER

RUBBER

She had warned him she wouldn’t be home till late, but he had said to wake him anyway to kiss him good-night. She didn’t, though. She tiptoed down the back steps to her room. Belatedly she felt guilty for breaking her promise. But now she was in her nightgown and had no way to get in the back door.

So she pulled her wooly car coat over her shoulders, hoisted the hem of her nightgown, and stumbled up the dark, soggy path around the side of the house under a light pattering rain. The eery creaking of the tall bushes around her made her shudder. Zeke had forgotten to turn on the porch light, so she had to fumble for some time with her keys to get the front door open.

When she lay down beside him, he didn’t wake up. The bed shook as though there were earth tremors as Franny tossed against it in her sleep.

“Zeke?” she whispered. He didn’t stir. She called his name again.

“You’re supposed to kiss me to wake me up,” he mumbled. “That’s how it goes in fairy tales.” And he pooched out his mouth ridiculously. Instead she leaned over him, blowing softly into his face, then bit his chin.

“Let me touch you for a minute,” he said.

“OK. But just for a minute,” she said, rolling over to time him by the luminous second hand of his clock. She called out each ten-second interval…but eventually stopped. With his head between her legs, she ran her hands over her own body, which felt ethereally soft. They went into overtime.

“I’ll be back,” he said abruptly, and shuffled off to the bathroom. When he came back, he was wearing a rubber.

“Oh, Zeke, I don’t trust those things. It happened to me once that it came out in shreds.”

“So where’s your diaphragm?”

“In my medicine cabinet.”

He bounded for the door, naked, his flabby buttocks quivering.

“But you can’t go out like that! It’s raining!”

“Why not?” he shrugged. “I’ve got my rubber to keep me dry.”

THWACK

THWACK

“I’m so mad at you, I feel like slugging you!” Seely said blackly the next evening.

“Why don’t you?” suggested Zeke.

“Don’t tempt me.”

“No, I mean it.” He stuck out his chest. “I’m tough. I can take it.”

“Don’t be ridiculous.”

“I’m not. I was being a jerk—I deserve it.”

So she did…a resounding thwack on his chest.

“Oof!” he groaned. “Feel better?”

“Yes!” she said, astonished. “I think that’s one of the nicest things anyone’s ever done for me!”

 

WARRANTIES & INSTRUCTIONS

A day came and went and in the evening they watched another movie—in her bedroom on a bank of pillows again. When the movie ended, they were both quiet. Pulling at a broken thread in a seam on her embroidered bedspread, she finally said, “I wasn’t going to tell you this, but…”

She told him about the abortion and her guilt, how she’d promised herself never again to sleep with someone she didn’t love. She admitted she hadn’t been with anyone for five years.

“Why didn’t you tell me this before?” he cried, a pained expression on his face. He was sitting at the foot of the bed beyond her legs, and reached out to rub them consolingly. “I thought you were just being coy—I thought you were acting like a teenager.”

To which, she said nothing, only sighed.

“I’ve never met anyone like you,” he said softly. “Why didn’t you get hard like everyone else?”

Tears began to slide down her cheeks. It had gotten dark.

“Can I hug you?” he asked.

She nodded but lay inert, while he stretched out in the narrow bed beside her,  fitting his arms around her and rocking her. Soon she started to convulse with silent weeping—and each time her body started to rack with pain, she felt his arms tighten around her. Finally she pushed him away a short distance and studied him.

“What are you smiling about?” he asked.

But she pursed her lips and zipped them with her fingers.

From then on he touched her in all the right places. When she told him she couldn’t remember the whereabouts of her diaphragm, he suggested maybe she’d left it at work.

“That’s it!” she cried, “Filed under ‘d.’”

She sat in a slice of light coming from under the bathroom door, rummaging through the boxes of clothes she used as drawers, since she didn’t have a dresser, searching for the small blue compact. But when she found it, she couldn’t remember how much jelly to use, so while Zeke smote his head with mock annoyance, she riffled through her file box, looking for the folder entitled Warranties and Instructions—and read the paper out loud.

Their lovemaking was calm, whimsical. “Aren’t you going to tell me I’m beautiful?” she asked him.

“I don’t usually say that to women.”

“Then your bedroom manner definitely need improvement.”

In the end he never did tell her she was beautiful, but he did say he loved her again. And fell out of bed—twice.

TRYST

TRYST

She did…and dreamed and dreamed until she ran out of night. She was making her way around a lushly green but treacherous bank of steep hills, high above a wild valley. Most of the paths had been washed away. There were mud slides to be gotten around, and the ground was so slippery, it was difficult to walk. She came to a narrow ledge under a great overhanging cliff, where a woman coming from the other direction advised her about footholds to use to get to the other side.

Then she dreamed Zeke and Meryl were sitting at the foot of her bed, talking. They thought she was asleep and were planning a tryst. Peeking out from the covers, she noticed Zeke’s face was wrapped in dough all the way up to his eyes. Later she saw he was there alone. He was telling her he wanted her, that it was now or never. But she couldn’t speak or reach out to him because she couldn’t rouse herself from her sleepy torpor. He got up roughly then, turned in her doorway and called her crude names. By this time she was groping, still half-conscious, out of bed, her arms stretched out to him. But he reached down and drew two great pins out of her fur rug and drove them through her palms.

 

TOAST

Tense and jittery the next morning, Seely took her time going upstairs. When she finally did, she barely had enough time to fix herself breakfast before work. She found Zeke sitting at the dining table with his papers in neat piles in front of him.

“I dreamed about you,” she said, scrambling herself an egg.

“You did?”

After she finished, she sat down across from him and started recounting her dream. He was enumerating items on a note pad. When she stopped mid-sentence, he looked up and asked, “And then?”

But she couldn’t go on. She couldn’t tell him how the dream ended.

He went back to his work for a while, then without looking up, said, “You know I want to sleep with you, Seely, but I can’t go on like this. If you won’t sleep with me, I’m going to find someone who will.”

She stood up suddenly, with her plate of half-eaten toast. “Just any old someone, huh?”

He stood up too and reached out towards her, but she jerked back and walked in a wide arc around him. He sat down again while she stood by the sink, gnawing savagely on her last cold morsel of toast.

MAD FLIGHT

MAD FLIGHT

The drive after dance class that night was a mad flight home. She felt reckless, giddy—she took all the back streets at breakneck speed, making only the briefest pauses halfway through the intersections where there were stop signs. She had all the windows rolled down, and each time she accelerated and braked from corner to corner, the warm night air rolled over her in great, slow waves. When she got home, she caught sight of herself in the mirror by the front door. Her face was flushed and her shaggy hairline curled in damp tendrils. Zeke was standing over his bed folding his laundry, turning socks right-side out, picking off the lint, and rolling them into neat little balls. She clambered onto his fur bedspread and wrapped her shimmering skirt around her knees. He stopped in the middle of what he was saying and stared at her.

“I can’t remember what I was saying,” he said.

“Maybe you got distracted by the bed,” she teased him.

“I don’t understand you, Seely. Sometimes I think you’re trying to hurt me.”

Her face fell. “You can’t believe that, Zeke.”

He shook his head ruefully. “What am I supposed to think?”

And before she could say anything more, he added coldly, “Maybe you’d better go now and let me get some sleep.”

VOLARE

VOLARE

In the evening they went down to her room—it was chilly, so they turned on the heater in the hall, as well as the portable heater in her room. He brought down all the pillows from the sofa upstairs and banked them against the wall, and they snuggled together in front of the TV to watch Casablanca.

He had said to her, “Even if we don’t sleep together, couldn’t we just fool around some time?” She had the impulse now to take his hand and guide it under her shirt to her breasts. Instead, she held his hand, caressed it, examined it. She wanted him to make the first move. But after all she had said to him, she knew he didn’t dare. As she watched him, he turned to look at her, and they stayed that way, until, suddenly, he put his hands over his face with real shyness.

“Why did you do that?” she laughed.

“I was embarrassed—thinking lascivious thoughts.”

“What?” she asked.

But he didn’t answer.

They went back to being quiet until a Volare ad come on, and she broke, full-voiced, into the chorus, “Volare! Oh-Oh!”

“You know,” he said, “I’m yours. You can do anything with me you want.”

“I can?” she asked, then drew his hand to her breasts. And they fooled around a little.

THREE STRIKES

THREE STRIKES

One late afternoon they were sitting at the dining room table with a bowl of old apples between them, she lolling on her elbows after a long day at work. She finished her sandwich and picked up the small glass plate to lick off the spilled peanut butter and jelly.

“My granny always said I was uncouth,” she lied.

“I was going to take you out to dinner tonight, but I’m seriously reconsidering it,” he said, unseriously. Then, “I have a question for you.”

She threw up her hands as if to ward it off.

“What’s going on between us?” he asked.

The room was getting dark, she noticed. She began picking at the splintering edge of the table top.

“Oh, Zeke…I don’t want to get involved.”

“Give me one good reason.”

“Because you’re going away…because you’re on the rebound…because we’re too different…”

“Three strikes and I’m out?”

She sighed roughly.

“But I love you,” he said quietly.

“You do?” she asked.

“Well, maybe not the forever kind of love—that takes time,” he red face got redder, “but, yes, Seely, I do.”

BUTCHER

BUTCHER

BUTCHER

Seely woke up the next morning in a whimsical mood. She lay on her side with her knees tucked up to her chin, croaking a little tune and pumping her feet in time. Then she was quiet, listening. She could hear soft, padding feet overhead—Franny was up— then clomping—Zeke and his clogs were on their way to the bathroom. She smiled to herself, then determinedly frowned, “It’s ridiculous!” she said out loud. “He’s red-faced, balding, and squat…and he looks like he belongs in a butcher’s apron.”

When she went up to breakfast, Zeke was holding his head in his hands and staring around rather wildly.

“What’s wrong?” she asked.

“I’ve got to get this place cleaned up,” he cried. “I’m supposed to show it tomorrow! Franny, out of the way!”

Franny lay with her bewhiskered muzzle on her paws, looking woeful as always, but stood up expectantly when she heard her name.

“Aw,” said Seely, “She wants to help.”

Whereupon Zeke lifted Franny’s front paws and stood her at the sink.

“You wash, Kiddo,” he directed, “and I’ll dry.”

Seely made them scrambled eggs. Later, when Zeke went off to the bank, she examined the floor. I looked like it hadn’t been scrubbed in years—there was a layer of grease around the legs of the old-fashioned stove so thick she’d have to scrape it off with a pancake turner. She twisted her long hair into a pony tail and stuck it down the back of her sweatshirt to keep it out of her face, then got down on all fours with a bucket of water and an assortment of scouring pads. She worked with a will, determined to have the whole thing done by the time Zeke got back to surprise him. But when he finally did, it was still only half-done.

“What are you doing?” He looked aghast.

“Cleaning?” she suggested hopefully. For the old linoleum was so discolored that, minus a greasy sheen, the after looked no different than the before.

“Ah, Cinderella,” he said plaintively, pulling her up by her blanched and puckered hands. “Why are you so nice to me?”

 

STRATEGIC MOVE?

STRATEGIC MOVE?

STRATEGIC MOVE?

My sun porch bedroom, I discovered to my dismay, was so hot in summer it might as well have been a barbecue pit, so cold in winter a meat locker. For this reason—and also because I wanted to be nearer the college—after eight months on Hillegass, I moved to a little house built into a hillside in a rustic neighborhood—with an architect, Rick, and his other roomer Lisa, who spent most of her time at her boyfriend’s place. It was December, and I promised Rick I’d look after his English wolfhound, Frieda, while he was in Chicago for the holidays. What he failed to mention—until he got back—was that he was planning to sell the house, relocate to Chicago, and buy a seat—for $200,000—on the Chicago Board of Trade.

 

PIDDLE

“My first evening in my new home, I lugged the double mattress Rick had recently bought into the laundry room to make space for my single mattress in the tiny basement bedroom that only briefly, I would learn belatedly, would be mine.

“But once I was tucked into bed, I got spooked, what with the whole house creaking and windows rattling, it was such a windy night. So I dragged Frieda downstairs and posted her by my bedside to protect me. When she whimpered so loudly I could even hear her through my earplugs, I reassigned her to the hall—and still I woke up only a few hours later to pitch blackness. Too agitated to go back to sleep, I decided to fix up my room.

“Naively, I sawed down my old bookcase boards to fit the far wall, unpiled my books and treasures onto the shelves, and custom-trimmed my matchstick blinds with pruning shears. When I carted my fake fur rug into the laundry room to wash it, there in the middle of the floor, beside a contrite-looking Frieda, was a big puddle of dog piddle. Blearily, I started the washing machine, leaving the bleach bottle on top, thinking I’d add the bleach when the machine had filled—and went upstairs to hunt up a mop.

“I must have been gone longer than I thought because when I got back, I found the bleach bottle on the floor—it must have shimmied off the washer when it started agitating—the cap had come off, and now a gallon of bleach and urine was oozing slowly down the slanted floor toward Rick’s new mattress.

“Unable to breathe, the smell of chlorine was so overpowering, I struggled to open the window behind the washer, but it was hard to reach and I couldn’t budge it. So I tried to bang the frame a few times to loosen it, missed, and shattered window instead, gashing my hand.

“With only seconds to spare, I ran for a rag to wrap up my hemorrhaging hand, and when the puddle was maybe a millimeter from the mattress, I hoisted it in the air, like Atlas, and started to carry it over the puddle. The mattress was so heavy, however, my knees buckled, and it folded around me like sandwich bread around a slice of bologna. Suffocating, I heroically I held on, nevertheless—and delivered it to safety.

“As soon as the stores opened, though I was dead on my feet, I bought some putty and a pane of glass, only to discover when I got home that the putty was blue. Too tired to return it, I puttied in the window anyway and decided to worry about what tall tale to tell Rick…later.”

HISTORY OF THE LITTLE FOOL

HISTORY OF THE LITTLE FOOL

HISTORY OF THE LITTLE FOOL

This is the first illustration of the little fool to appear in Sir Little Fool and the Skeptical Princess, my second children’s book. He came a long way in the two years I was teaching myself to be an illustrator. See below.

On the left is the opening illustration of Somebody Grab That Dog, my previous book; on the right is my initial drawing of the little fool, looking very much like my original protagonist—he was my starting point.

 

But what palette and what drawing tools should I choose, I wondered, for Sir Little Fool and the Skeptical Princess—a more ambitious undertaking? What did I want my fairy tale world to look like? Bright? Pastel? How detailed?

At Amsterdam Art, I discovered pastel markers that I tried out to get more subtlety in my colors—also, a rapidograph ink pen that, with the finest nib, allowed me to explore intricate textures.

 

Soon my figures, unaccountably, became chunkier and more squat. I would trace them and try out a number of small variations in their poses before choosing the final one.

 

I call this my Sinuous Period, when my figures wavered, sometimes looking like they didn’t have skeletal structures.

 

Next came my Bulbous Period when I began to draw round shapes to construct my figures. My first versions were spontaneous scribbles in regular pencil. But as I refined the illustration, I sometimes felt that it was losing too much of the energy and expressiveness of the original—and I went back to study it to see where I was going awry.

 

Then one morning I woke up and found myself in a quandary. Whereas before my compulsion was to draw curved lines, now I found I could only draw straight ones—which ushered in my Prickly Period when all my figures looked faceted.

 

It was during my Prickly Period that I really got the hang of drawing the little fool.

 

The problem with markers, however, is that the backgrounds come out blotchy or ribbed, as you can see in my Sinuous Period. So I tried watercolor.

 

But I was unused to a brush and quickly shifted to colored pencil, both because I had better control—and because I could erase.

Only now I stumbled upon a new problem. Because I wanted the outlines to be as unobtrusive as possible, I continued to use my rapidograph pen, its nib about the diameter of a coarse hair. But trying to combine these two mediums proved foolhardy: Dust from the colored pencils kept clogging the nib, which then had to be replaced—and they weren’t cheap. Of course, I’d have the guy at the local art store try to unclog the nib first. Sometimes he’d succeed, but he was so klutzy, his efforts invariably resulted in some minor catastrophe, like the time he shook the pen and spattered permanent ink all over my favorite sweatshirt.

In the end I abandoned the pen and started doing the dark outlining in black colored pencil, though the dust from it smeared and muddied the nearby colors as my hand dragged over the image during drawing.

But now, all these years later, I can restore the clarity of the colors using various tools in Photoshop!