PRIMAL SCREAM

PRIMAL SCREAM

PRIMAL SCREAM

While I was still a stewardess I dated a cute guy, Jim, who was in dental school and sang in a barbershop quartet. If this style of singing sounds old-fashioned, his group was anything but, their harmonies electrifying. But the truth was I was more attracted to his blond older brother, Randy, who had the apartment next door to mine—and who only had eyes for my roommate, Marina. I remember feeling irked when Randy told her at the apartment pool that she had a beautiful voice, and she thanked him smugly, knowing I was the one he’d heard singing. I also remember the four of us going to the beach one evening and seeing my first blue tide, the waves shimmering with phosphorescence.

Marina, however, decided she wasn’t interested in Randy, and on a later outing, Ella completed the foursome. In the evening we drove up a mountain to a campground, arriving after dark. When Jim had matter-of-factly said on the way that he didn’t believe my family situation was as bad as I claimed, I was stung. Here was someone else—besides my mother, I mean—who was denying the reality of my experience. As the other three got stoned around the fire, I sat apart—I didn’t do drugs—and felt myself spinning in a whirlpool of pain. Years later I would know these feelings were archaic and stemmed from my childhood. But at the time all I knew was that I was going to have to break up with another boyfriend.

As I sat there in the dark, looking up at the starry sky, I was seized by an impulse to scream—but couldn’t. The imperative never to make public my true feelings was too strong. Throughout my adolescence I’d had to hide my pain because that was what my mother required of me. An irony I haven’t mentioned is that while she was judgmental and critical of me much of the time, she occasionally liked to say that I was more mature than my girlfriends, seeming to bask in this idea, which I sensed was really about her need to see herself as a better parent than theirs.

To air my real feelings would be to cast doubt not only on my mother’s superiority as a parent but on her legitimacy as a family therapist, which was our bread and butter. Her very reputation could be at stake. So I’d always understood, on some level, that I must never let my suffering show. To scream would be to broadcast to the world how damaged I was—how broken, defective, crazy.

I don’t remember how long my internal battle went on—just that it was fierce. I kept saying to myself that in the grand scheme of things, what did it matter if I screamed? The stars couldn’t hear me. Still it felt absolutely impossible…right up to the moment I did—a shattering shriek. (At the time I wasn’t aware of the concept of a “primal scream.”)

Afterwards I heard laughter, other campers imagining it was a prank, I suppose. To my surprise, there was no consequence whatever to my scream—no external one, at least. Not even Ella or Jim came over to see if I was OK. But there was an internal one—for a moment later, all my pain was gone. Though it might be difficult for some to understand, this was one of the hardest things I’d ever done. Jim and I drove back to his fraternity house the next morning, and, while he was in the shower, with no forewarning—well, except for the scream—I left him.

TACA

TACA

TACA

Pan Am had two types of “stand-by” for stewardesses—24-hour, which meant you had to be ready to fly at a moment’s notice, and TACA, which meant you had to be available by phone to accept a flight for the next day.

The month I was TACA, I got out a felt pen and started to draw dress designs. I’d always loved clothes and, as a teenager, had made many of my own. Now, seized by the notion that maybe I could design clothes as a sideline, I worked ferociously, and by the end of the month, I’d developed a distinctive illustrating style and created a line of two dozen outfits. The times I was called to fly, I found it emotionally wrenching to have to leave my project; I felt I was being painfully ripped away from the kind of work I was meant to do.

At a union meeting, the junior stewardesses were told not to let Operations bully us—that is, coerce us into flying the same day when we were TACA. So, at the end of the month, when Operations phoned and said they needed me for a flight that same afternoon, I said no. Five minutes later I got a call from my irate supervisor, telling me I was suspended.

By the time I went in for my scheduled appointment with him a few days later, my mind was made up. In the interim, he’d read my brief record—apparently I’d gotten a commendation from one of my pursers—so when I announced I was quitting, he did some fast and furious back-pedaling, trying to convince me to stay.

I refused—and left with the hope that my resignation might make the higher-ups think twice in the future about trying to strong-arm their flight attendants.

FED UP

FED UP

FED UP

I soon realized that, despite the excitement of waking up in a fancy hotel halfway around the world every week, I wasn’t cut out to be a stewardess.

Each month you had to bid on a schedule of flights for the following month by listing the available ones in your order of preference. The senior girls got all the best schedules and the junior girls the most grueling ones, including a long, arduous flight over the pole to England, an overnight during which you couldn’t sleep because of jet lag, and a return flight the next day. The junior girls were also the first to be rerouted. I was—on a flight to Hong Kong—and had to fly a shuttle back and forth between Tokyo and Vietnam for days. True to form, I kept getting sick—colds and flus. And Operations wouldn’t let you fly with a cold because nasal congestion can cause your eardrums to burst at high altitudes. So they continually grounded me and docked my pay.

                                                                             …

“I’m so fed up I could cry—all the little things that could possibly go wrong are doing just that. I’ve been trying so hard to be organized, to counteract my tendency to be absent-minded—care, thoroughness, planning. But what good? My wig gets singed in an oven blast—how could I have known artificial hair was so sensitive to heat? My pocket notebook with myriad important dates and addresses, as well as a favorite drawing, disappears; apparently it fell out of my purse sometime yesterday during the bustle of my arrival in LA. My pantsuit is likely to be permanently stained, the lady at the dry cleaners tells me. And on and on. It all seems so senseless, like everything I touch goes awry.

“I keep feeling rushed, vaguely panic-stricken, as though there isn’t going to be time enough for me to complete each thing that I undertake, whether it’s an afternoon of shopping for sandals or an hour of guitar practice. I wasn’t cut out to be a stewardess, it seems—because I’m only allowed a day here or there in which to carry on a normal life. I keep thinking, I have three days…I have three days, as though my next flight to San Francisco were going to be the end of my life.”

MORE SNIPPETS

MORE SNIPPETS

MORE SNIPPETS

“My training flight was from New York to Frankfurt. We left six hours late—the first 747’s were full of glitches—so, of course, when we arrived at 3:00 in the morning, there was no crew bus to take us to our hotel. One of the stews had rescued a diminutive cake that no one had claimed from the first-class galley. It looked like an old-fashioned powder puff box and had a glaze you could rap with your knuckles and only hurt your hand. Somehow or other we broke into that cake and devoured it in hunks with our fingers as we sat, stupefied, on our upended luggage, waiting…

“I flew only one charter flight, battling a regiment of soused dentists who ultimately conquered the plane. First they took the aisle, where they played craps, gambling for the duration of the trip, and later the galley, where they raided the liquor and mixed their own drinks. Led by our purser—diminutive, frantic, and as high-strung as a bird—we mounted a gallant defense but were no match for their numbers. One dentist finally pried open our commander’s mouth—which was full of gold—emitted a boozy gasp, then gravely handed her his card.”

MATERIALISTIC

“My purser to Vietnam was a disciple of some Eastern guru who espoused ‘the way of roughage.’ While the rest of us skirmished over the leftover prime rib in the first-class galley, she nibbled beatifically on wilted lettuce from the brown paper bags she carried with her everywhere.

“When I found out the other stews were laying bets about whether my short auburn curls were natural or not, I tipped my wig to the winners.

“Over Vietnam, the landscape from the window of the plane looked as green and calm as a dense-weeded sea floor. The crew was led off the tiny airfield at Ben Hua to a couple of rooms which memory won’t furnish. In one, however, there was a shin-high white ceramic elephant for sale. My purser, reading what must have been an acquisitive glint in my eye, asked what sign I was, then nodded pityingly. ‘Yes, Taurus is materialistic.’ Which is why I didn’t buy that elephant—and still have it trumpeting through my dreams.”

COLLAGE

COLLAGE

COLLAGE

A number of years after the fact, I wrote about my experiences as a “stewardess,” as we called ourselves.

“My recollection of the training school in Miami is like a bad collage—snippets of irrelevancy:

“A make-up room at the school with a long row of mirrors, like a chorus girls’ dressing room. It was there I had my first and last contest with a false eyelash. It would not conform to the arc of my eyelid. Mostly it contrived to stick gluily to my fingers, but on the occasions it opted for my eye, it assumed crazy configurations of its own.

“According to regulations, if you didn’t want short hair, you had the option of a stunted ponytail—more like a shaving brush, actually, than anything you’d find on the backside of a horse. I sat at the hairdresser’s in a white paper poncho, hair hanging to my waist. He collected the fine strands and, clutching them at the nape of my neck, performed the amputation with a single metallic clash of his scissors. I walked out into the warm-bath-water air toward the motel…but detoured around a tree in a weedy yard to have a brief cry. “

Those of us with ponytails were directed by the grooming instructor to wear a spit curl in front of each ear. After pulling out two small, pink rollers each morning, I tried to embalm each curl with a blast of hair spray. But, no thanks to the humidity, from one side of the highway to the other—which I crossed to get to the training school—my strawberry blond springs came unsprung. So the instructor threatened me with even more drastic surgery.

“Monday mid-mornings, after our overseas shots, we all dragged our arms around as though they were cast in concrete. At break time our instructor issued aspirin, and we converged on the water fountain for a pill-popping.

“The motel had a smorgasbord of inedibles—an assortment of jellos, macaronis, and cold cuts. I went around with a chronic bellyache till a Cuban named Eduardo I met at a party rescued me, inviting me to his apartment for home-cooked meals. He fed me black beans and tocino del cielo—a kind of custard—and tried to talk me into quitting and becoming his secretary.

“One afternoon, under the supervision of our air safety instructor, we played at being marooned at sea. We bailed into an inflatable life raft in the motel swimming pool, and, after throwing up the awning on poles, we took our ease in its shade, sucking on lifesavers, which were among the raft’s standard provisions. Back in the mock-up room at the school, in a midsection of airplane with a few seats and an emergency exit, we rehearsed emergency landings on land and sea and hypothetically lost ourselves and passengers to both elements in trial after trial.”

LINNY

LINNY

LINNY

I spoke too soon. I did do another drawing from life after Thayer—which I came across when I was looking through my old artwork the other day. My freshman year of high school, I babysat three sisters over a period of several months. The eldest was Linny, in the portrait above. One night their parents came home early and found I hadn’t put the girls to bed yet. Not that I hadn’t tried—but the kids were having too much fun and wouldn’t mind me. Having been disciplined by my parents with intimidation and shaming, methods I wasn’t about to use on my charges, I didn’t know how to exert my authority. And so, despite their children’s attachment to me, the parents fired me.

OUTCAST

OUTCAST

OUTCAST

This is Thayer, son of Davona and Lou, who bought the duplex on Raymond Ave. where I spent the happiest years of my childhood. I made this rough sketch in the spring before they evicted us. I mention this because it’s the last portrait I would draw from life. From then on I would feel like an outcast, especially when I went back to school in the fall, having, literally, been cast out—of the gifted group that went on to Miss Oman’s class. Never again would I feel a belonged—I mean belonged—anywhere. Even all my years on the West Coast have seemed like a life in exile, because St. Anthony Park—where for a time, at least, I had a family and a community—has always, in my heart, remained home. Having developed social anxiety disorder, I’ve never been able to feel really in the world again…well, except for my year in Spain. Instead I’ve felt like a stranger, standing out in the cold, peering through a window into a room where there’s warmth and light and other people busy with their lives.

Because of my sense of disconnection, I believe, when I began to draw again during my senior year of college, instead of people I knew, I drew slightly abstracted figures (what strikes me now is how much of a departure this was from my original creative impulse)—and no longer with pencil, which I could erase if I wanted to, but with markers that were indelible. 

I did, on a few occasions, draw a self-portrait, though I no longer consulted a mirror.

These drawings evolved, while I was a stewardess, into a stylized figure I used for my fashion designs, which I’ll be posting on my next blogs. (If my clothes look quaint, bear in mind this was the ’70s.)

DILEMMA

DILEMMA

I graduated from Cal Phi Beta Kappa, magna cum laude, and second in the Department of Spanish—a standing I didn’t feel I deserved because I doubted I would have gotten the straight A’s at Cal that I did at the University of Madrid my junior year. I will say, however, that it was in my novel class in Spain that I started to really understand how to approach literature analytically, and I realized at the same time that I was able to bring the same aesthetic sensibility to my writing in Spanish that I did in English. Fortunately I’d had a TA who appreciated my writing ability enough that he never docked me for missing section meetings—something I did occasionally because I had such a hard time speaking up in class.

There was no graduation ceremony at Cal that year, as it turned out, so I never got to don a cap and gown; the ceremony was canceled because of student protests and sit-ins over the war in Vietnam. On more than one occasion, I had to flee the campus because of tear gas.

After I graduated, I was left with a major dilemma. Since I’d devoted all the years since grade school to scholarship instead of developing my creative abilities, when I finally had to come to terms with the fact that I was by nature an artist, not an academic—that it was futile to keep trying to jam the square peg that I was into a round hole—I couldn’t commit myself to any other profession because the urge to do creative work was too strong, yet I had no skills within the arts I could use to earn a living doing something I might actually enjoy.

Towards the end of my senior year of college, I’d started drawing again—stylized figures with felt markers. Sometimes I got so absorbed I couldn’t tear myself away and I’d miss my classes. Once again I was miserable in school, so unhappy that, in the end, I couldn’t face going a fifth year for a teaching credential. I remember feeling so trapped that year, as I sat passively being lectured at, that it was all I could do to stifle an impulse to scream.

So when I cast around in my mind for a job that would leave me blocks of free time in which to develop my creative abilities, being a stewardess seemed to fill the bill as well as any.

Besides, I missed Spain and longed to return, imagining that if I did, maybe I could recover a little of the person I had become there. A generous travel discount was one of the perks of being a stewardess, and, at the time I had my interview with Pan Am, flight attendants, as they are now called, were being encouraged to take time off. Of course, I hoped to be based in San Francisco so I could continue my voice training with Mrs. Unruh, but, as I would learn belatedly, junior girls had little choice in the matter.

That summer I flew to Miami for my stewardess training.

SELF-HARM

SELF-HARM

When I look over the Callie’s Ragbag vignettes I’ve posted about this period, a—I mean I— remember an event that isn’t even mentioned. (Yeah, I just made that same old Freudian slip.) My senior year of college I started to go out with a boy…er, young man named John, whom I met at the language lab. He worked there as a technician repairing the machines but was multi-talented, a seeming jack-of-all-trades. Among other things, he played the guitar and started teaching me finger picks and bluesy songs.

Though he was barely older than I was, he’d gotten custody of his younger brother after their parents died. (I’m a little shocked that I no longer remember how they died.) At first he struck me as the nicest guy, but over time I began to realize that he was always making promises that he wasn’t able or willing to keep—and I felt constantly let down. If I expressed disappointment, he took umbrage, as though I had no right to expect him to be as good as his word.

At the time I was living in a house near campus that I shared with three guys. The day that I realized I had to break up with him, I was in so much pain, I went—ostensibly—to take a bath but instead used a razor to cut long diagonal lines in my stomach. (The blood bubbled up like beads on a necklace.)

When I’d tried to tell my mother some time before how much pain I was in, she’d railed at me in exasperation, “Why do you have to dramatize everything?” and she’d insisted that, unlike her and her clients, I didn’t know what suffering was. I resorted to cutting myself that day as the only way I could think of to make manifest my pain—to prove to myself, in the face of my mother’s contention to the contrary, that it was real. And I would have the scars, I told myself, as lasting evidence. At the time I’d never heard of cutters, who typically feel a rush of release in the act of cutting, but for me it hurt.

IT KNOCKS BUT ONCE

IT KNOCKS BUT ONCE

“Kirsten Flagstad is quoted as saying that the subject of breathing is ‘almost impossible to learn or understand and almost impossible to teach’”—The Singing Voice, by Robert Rushmore.

There are three basic types of breathing, Rushmore tells us: upper chest breathing—the quick, shallow breaths we take when, say, we’ve been running and need to catch our breath; intercostal, where the abdomen is held in and the ribs push out to the front and sides above the navel; and deep abdominal breathing, where the abdomen protrudes as the diaphragm flattens out. The major complication is that we can breathe in any combination—and in any proportion—of these ways.

He includes part of a review from Opera magazine by Rupert Bruce Lockhart, written after he attended a meeting of the Union of Singing Masters in Paris; the evening’s subject was breathing: “I was taken by one of the most famous musicians and singing professors in Paris. We laughed helplessly all evening. There was almost a free fight. No two people in the entire assembly seemed to agree on a method of breathing. Insults were hurled around and two of the doctors finally turned their chairs back to back and refused to speak to each other.”

In the middle of my senior year of college, while I was struggling to come to terms with my death despair, my father cut off the small college allowance he’d promised me—to punish me for not writing him recently.

(Reading a passage, only last week, from a letter I wrote him when I was seventeen, I belatedly recognized the irony of this. “What’s new with you?” I asked. “ I have no idea, you know, since you never write. If you’ve moved or married, I wish you’d tell me. I don’t even know if you get my letters. All I can do is to keep writing.”)

I sent him a letter telling him that without the allowance I couldn’t continue my voice lessons, which meant everything to me. When he turned a deaf ear, I went to my mother and begged for help. She’d come to one of my recent lessons and cried when she heard me sing. But…

Doug had dropped out of Hayward State three years earlier, though his status as a student was his best hope of staying out of the war in Vietnam. He thought he could beat the draft by claiming he had a physical disability or, if that didn’t work, that he was a conscientious objector. Since then he’d spent his days playing golf.

My mother told me she couldn’t give me more financial help than she already was—she was giving us both a small allowance—and, besides, it wouldn’t be fair to Doug. I argued that Doug should get a job, at least part-time, to ease our financial straits, pointing out that I’d worked at the language lab part-time and maintained a Regents’ scholarship throughout my college years to help defray the cost of my education. But my logic only made her furious. She screamed at me, “You want everything—and you want it now!”

(A couple of things strike me in retrospect as I read her accusation. One: I’d waited ten years to realize my dream of becoming a singer. Two, another irony: Just as my mother’s father refused to help her pursue her dream of going to college—something she was still bitter about, though the G. I. Bill ultimately allowed her to get a Master’s degree—she refused to help me pursue mine.)

Mrs. Unruh told me if I were to quit at that time, I would never sing; I can’t say that I believed her, but I did sense that I was at a critical point in my training, that I was standing on the threshold of mastery. It was then that she also told me I was the most gifted student in her studio. Nevertheless I did quit, feeling that I had to graduate and hoping that when I got a full-time job, I could pick up my voice training where I’d left off.