TRAP DOOR 1

TRAP DOOR 1

TRAP DOOR 1

About my painting class, I wrote later:

“I remember only dimly the quality of anguish I felt as I drove off to my first class—and every one after that—a stomach-churning anxiety; I had to muster every ounce of determination I had simply to hold myself together. My teacher was dark, wiry, in his thirties, and I might have even found him attractive if the set of his mouth and chin hadn’t reminded me so much of a sleazy guy I’d met recently.

“For our first assignment we were directed to paint a monochromatic still life of a bleach bottle and some other mundane objects. I felt like a blind man who’d been abandoned in a city and left to find his own way around. I didn’t even know how to hold the brush. The teacher sketched out a composition for me, basking in my mute admiration, and showed me how to stand back to do the strokes, Actually, I felt so paralyzed with bewilderment, I let him paint most of the picture for me.

“At the next class I was frantic and angry at my own helplessness and fear—I felt I’d be humiliated if the same thing were to happen again. So I dashed out a picture with a vengeance, as though I were slashing my way out of nets of inhibition that ensnared me. It’s true that he needed to stop me—I might have gone on to ruin my painting—but as it stood, it was a success, although I didn’t know this until the ‘crit’ (critique). I thought it was a failure because it was a circumvention of the reality I couldn’t paint—light and shadow, three-dimensionality. But my classmates and teacher saw it as a unique vision—although flat, more colorful and lyrical than life. ‘Where did you get a technique like that?’ the teacher asked about my brush strokes. ‘Use it to death.’

“Our next assignment we had longer to work on. I was attending class three times a week, toting the canvases I’d learned to build and a cake pan full of acrylics, and wearing a huge doctor’s coat for a smock, trying to look cool and savoir-faire, but I was scared stiff the whole time. I painted a magical glade I’d photographed alongside the road to Cuenca in Spain. Again the teacher had to stop me before I painted out the best part of my picture, suggesting I use the airy technique in the upper corner throughout.

“This picture, also, was a success. At the crit he described it as having ‘delightful’ parts. In the meantime, however, I’d begun to notice his flagrant favoritism towards his two pets—both men. I would hear him, bent head-to-head with them, giving them pep talks about their gift and mission, etc. He set up a competitive spirit in the class that I didn’t like, and eventually we locked horns. He insisted that I come to all the critiques—I’d made up my mind not to because I found them so gut-wrenching. He chewed out people who hadn’t managed to produce a finished painting and expected us to analyze each other’s work, which I felt totally unequipped to do. He got angry at me when I tried to explain that I wanted to learn something about painting for my own edification—I didn’t care about getting the credits—and hoped to go about it the least stressful way possible. In the end I capitulated and attended the critiques, not wanting to antagonize him further.

HORSE RACE

HORSE RACE

HORSE RACE

“Dear Linda,

“I’ve tried to start this letter three times. I’m finding it very hard to open up and talk about my life just now, I’ve been feeling so moody and strange.

“Suddenly I’ve become seriously committed to the guitar. I’m studying with a sweet guy named Charlie, who’s just about my age. I’m teaching myself to read tablature, writing guitar accompaniments and song lyrics, and looking for a voice teacher. Somehow the ambition, anxiety, and determination involved have made me very sober. Also, I’ve started painting classes. I frankly don’t know what I’m doing in there, but I figure I’ll catch on eventually. Then I’m low on cash again and feeling the pinch, and job hunting is getting me nowhere.

“I’ve had my share of odd experiences lately. I was picked up hitchhiking by a sexy older man who had just produced a movie. He took me to see 20,000 Leagues Under the Sea with his ‘daughter’ Kelly, whom I didn’t—to my red-faced chagrin—find out was his son until the end of the evening, when I referred to him as ‘her.’

“I had a pelvic at the Free Clinic, which might as well have been Grand Central Station. Various interns and nurses hustled in and out during the proceedings, casting sidelong glances at my crotch, while another inexperienced doctor tried to find the whereabouts of my right ovary. Finally everybody donned a glove and joined in the search.

“Then I went to see Cat Stevens perform and was so smitten that I decided to try to meet him. I called his recording company and pretended to be a representative of the Unified Churches of Long Beach who wanted him to make a personal appearance at a charity concert. All I found out was that he was on his way to New York. (Don’t ask me what I would have done if they’d said yes.)

“Also, I unofficially joined the Unitarian Church down here, tried without success to sell my dress designs, and went to the track with Monk, a cheery eccentric who studies the horses, bets judiciously, and invariably wins something. He did this time too—but the filly he told me to bet on lost. So I’m out $12, which I needed for groceries.

“How about you? Any fascinating new developments in your life? You ask about leaving Berkeley. Judging from what I’ve seen down here, Berkeley is as good a place to be as any—I’ve almost moved home half a dozen times. Somehow it’s your life style that makes the difference. Write! I luv to get letters.”

THE SINGING BREATH

THE SINGING BREATH

How would I describe the singing breath if someone were to ask me? I was wondering the other day. How did I experience it? Well, I would explain that to sing you have to take abnormally deep breaths, so your whole muscular apparatus has to learn what to do to both accommodate and utilize this super-breath (I remember Marilyn Horne saying you even have to use your buttocks muscles). When I breathed correctly, I had a wonderful sense of capaciousness—no, more than that—of boundlessness. I felt like I could go on inhaling, my ribcage expanding indefinitely, as though there were no limits whatever to how much breath I could draw. When I took a less successful breath, however, I would hit an obstruction—a physical dead end—in one place or another in my body, an area that became “locked” in a manner that didn’t allow me to open any further; the sensation was even a little painful.

When Giora, one of the directors of the Alexander Technique school in Berkeley, first guided me from a stool to a standing position—one of his hands on my neck, the other on my sternum—I had the sensation of floating upward, it was so effortless. Later he explained that by moving quickly, he could bypass his students’ usual way of using their bodies, their habits of bracing and tension. By not giving these time to kick in, he was able to trick the body into moving in a more integrated way.

My hunch is that Mrs. Unruh used to do something similar with me, that by forcing me to keep up with her brisk musical accompaniment during vocalises, instead of constantly stopping and starting me the way most teachers would have, she created a momentum that swept my body past all of my habits of holding and tension.

Unfortunately, at the time I quit my lessons with her, my breathing was still hit and miss; I hadn’t completely mastered this new way of using my body. What complicated things further is that I had a lordosis—a curvature of the spine—so that a sitting position allowed my ribcage to expand more easily than a standing one. Unlike the majority of teachers who insist their students stand, Mrs. Unruh was confidant that as my technique became more assured, I’d be able to translate what I was learning from a sitting position to a standing one.

I also remember another distinct sensation I had when I took a singing breath. I felt as though there was the midpoint of a cross in the middle of my back and my intake of air caused the lateral arms of the cross to expand outward while, more surprisingly, the vertical arms moved upwards and downwards. When I tried to do my vocalises on my own, however, I was unable to replicate this sensation that had allowed my voice to soar.

LEARNING THE HARD WAY

LEARNING THE HARD WAY

LEARNING THE HARD WAY

I had only a dim memory of these events until I came across the following account—written at the time—among my papers:

I got Ms. Carregio’s name from the Music Department at Long Beach State, where she taught. After auditioning for her—she tested my voice and we talked about my previous training—in a burst of hope and enthusiasm, I paid her for a month of lessons, two per week, with a large traveler’s check I’d been wanting to use, and I rashly did this despite the fact that she was willing to let me pay per session.

So I was chagrinned after my first real lesson to find that my throat ached, knowing from Mrs. Unruh that this wasn’t a good sign. I talked to Ms. Carregio about it, of course, but she didn’t seem concerned, only encouraged me to give it a chance, promising things would get better. When they only got worse and I found myself so hoarse after my lessons that I couldn’t sing for the rest of the day, I told her that her approach wasn’t working for me, that it was too different from my previous teacher’s, and she graciously agreed to refund the rest of my money, saying she’d send me a check the following week.

When the check didn’t come and I called her back, her husband informed me that she’d gone on tour and wouldn’t be back for a couple of months. Then I found myself having to pinch my pennies, thanks to unexpected expenses, so the delay was a hardship. As soon as she was due back, I phoned, and once again she assured me she’d send me a check promptly. Well, I waited… And waited… But the next time I talked to her, she announced she’d changed her mind; she was willing to give me more lessons, she said, but not to refund my money. When I reiterated how the lessons had affected my voice, she retorted that I was rigid and couldn’t learn from anybody. I told her frankly then that I was financially strapped—and, to my relief, she reversed herself again, saying she’d just been trying to teach me a lesson. The last time we spoke, however, she told me she’d decided definitively not to refund my money. Trying to keep my cool, I pointed out that I could take her to small claims court, but her response was that she’d simply say I failed to show up for my remaining lessons. I then threatened to go to the Music Department and pass out an account of how she’d treated me to the students there; I even went so far as to write one up but never followed through.

BROWN BAG

BROWN BAG

In a brown grocery bag at the back of a closet behind the vacuum cleaner, I find a folder of poems dating back to this time.

 

 

EMBRACE

There is a tree

with a gnarled root

that I embraced in summer.

Close against its breast

I heard the miniature sounds of life,

the tread of ants,

the rustling caterpillars…

And the sunshine seeped into my skin.

Gazing on my bare body,

I saw golden hairs glinting

on the fair swelling hills,

in the gentle valleys.

And I lay down among the leaves

while the wind blew over.

But time passed

and the day grew cold.

Then I saw how the secretive dark earth

had crept around me,

how the leaves lay decaying between my limbs.

I heard the worms whisper

in passing beneath me,

where I lay shivering in the shadows

while the wind blew over.

 

 

UNSEEN

 

Sunny days and breezy nights

on a windswept deck

of faded white

and the taste of sand.

 

Flying fishes and the crash of waves,

the shadowy beach

so smooth and bare,

like a girl’s cool belly

where the wandering tide has been

 

When nights are warm

I stroll along the sea

among the looming caverns

and sound and spray.

 

One evening I’ll dissolve

unseen into the shadows,

leaving only moonlight

and the incurious stars.

EVENTFUL

EVENTFUL

EVENTFUL

“Dear Linda,

“How are you? And Jim? And Psyche? And your little golden cottage?

“It’s been an incredibly eventful three months for me. Would you like a brief run-down? (On your mark…get set…)

“I quit Pan Am, shifted about Los Angeles, living with friends, families of friends, and friends of friends, applied to Long Beach State to study art, and moved to a tiny, secluded beach town. Now I’m settling in—finally!

“Sunset Beach is a strange place—two rows of houses along the ocean, just off the Pacific Coast Highway. On the beach side of the alley, the well-to-do, on the highway side, dilapidated beach houses and ‘heads’ (present company excepted). There’s a wooden shingled water tower at the end of the street, below that a tiny fire station (they turn their sirens on at 2:00 in the morning just for practice), bait stores, and an inlet full of boats. That’s it. The nearest grocery store is in the neighboring town.

“I share a modern, perpetually messy apartment with three roommates. One of them, Gloria, is at this very moment dismantling her fish tank, preparing to move. She works for the YMCA, while Carol and Michaela are undergrads at State. I sleep in the hot, stuffy, upper berth of a bunk bed, the mattress so hard that my body ached all over for the first week. Oh, and when Michaela moves, down below, it feels like earth tremors.

“I got a job as a noon supervisor or ‘narc’ at Marina High School—making sure the kids didn’t smoke in the johns, etc. Then my old boyfriend Pete, the guy I met in Spain, sent a letter asking me to come and stay with him in an adobe hut in the mountains of Guatemala. I almost went, even quit my job, but changed my mind at the last minute.

“The weather has been glorious the past few days, and our beach has been invaded by bikinis and black wetsuits. Still, there are uninhabited hours when you can pull off your sweatshirt and run bare-breasted in the surf. But the evenings are lonely, looking down on an empty sand-blown street, with the wind howling around.

“I hope you’re feeling chipper and accomplishing all you want to. You seemed a little depressed when I was in Berkeley. (I know I was.)”

THE BOMB

THE BOMB

THE BOMB

Dazed, I wondered what to do next, since you can’t live in L.A. without a car. An acquaintance of mine took me to see a hideous wreck a friend of his was selling for $50—garishly aqua, it was the size of an ocean liner and had huge fins. We took it out for a cruise, and when we stopped at a gas station a couple of blocks from my apartment, the attendant, a kid of maybe eighteen, exclaimed over it and offered to trade me his car—a sedate gray Olds in equally dreadful condition. I left him the Queen Mary and took the Olds, agreeing to meet him Monday, when the DMV would be open, to do the paperwork.

But when Monday came, he’d disappeared. It turned out he’d stolen money from the gas station, been apprehended by the military police (he was AWOL from the Army), and been shipped back to Fort Carson, Colorado. I wrote him in the stockade, begging him to send me the pink slip. In the meantime, in the trunk of the “Bomb,” as I came to call the Olds, I found some of his private possessions, including a picture of a teenage girl with a baby that I figured were probably his wife and child.

With a courteous note of apology, he promptly sent me the pink slip. But wherever I drove the Bomb over the next two years, the Highway Patrol invariably stopped me, knowing at a glance they could find something that didn’t work to cite me for.

WHERE THERE’S SMOKE

WHERE THERE’S SMOKE

WHERE THERE’S SMOKE

With a dawning hopefulness—imagining I was finally embarking on my real life path—I checked out various commercial art schools in L.A. but couldn’t afford the tuition, so I decided to study art at Long Beach State instead.

I settled in Sunset Beach, a tiny town south of Long Beach, where I took an apartment with three roommates on a sandy alley, just one row of houses away from the ocean. At Christmas, when I visited my family, I bought a used car for $350—a two-tone, yellow-and-white Ford in mint condition. John from the language lab—we remained friends— drove it down to L.A. with me, since I only had a learner’s permit at the time.

One Saturday morning a month or so later, I set out for Long Beach with my roommate Gloria and a male friend of hers. They were supposed to lead a weekend camping trip for kids, and I’d offered to drop them off at the YMCA. En route, I noticed smoke wafting out from under my hood. When I pulled over so Gloria’s friend could check things out, he said the oil had been overfilled and was spilling out and burning on the engine block.

As we drove on, however, the smoke got steadily worse until I finally said I’d feel better if we stopped at a gas station and had a mechanic check it out—but Gloria insisted they couldn’t afford to be late and urged me to keep going. Even after a loud clattering started up under the hood, she continued to assure me it was OK to keep driving, that I could wait and get my car checked after I’d left them off. And so, trusting her judgment—because she’d told me her father had made her take apart and put together an engine before he would let her drive—I did what she asked.

I dropped them at the Y—right on time—and a few blocks down the street, I happened on a Ford dealership. In the driveway, my car died. The mechanic on duty told me it had an oil leak and that I’d just blown up the engine, driving without oil. He estimated it would cost me $1000 to get it fixed. Belatedly I realized that Gloria’s friend had mistaken the transmission dipstick for the oil dipstick, though how he could have done this is beyond me, since transmission fluid is red. And that’s how I lost the cherriest car I’ve ever owned.

And before I go on, I should explain that the illustration at the top of this post is the cover of the first volume of The Adventures of Jix—a series of learning-to-read books I wrote for my godson Michael. Lisa, my layout person, and I are determined to finish all four volumes as speedily as possible. And since there’s space for an image above every post, I figured I might as well introduce my readers to some of the fantastical creatures in Jix’s world.

PANIC

PANIC

PANIC

Perhaps I should mention that, by this time in my life, my social anxiety disorder had reached such a pitch that I only felt completely at ease with Ella, my boyfriends, and children. When I knew a guy liked me, I was able to be myself, but with other adults I’d become so self-conscious that, to appear normal, I had to act. I’d learned to control my body and modulate my voice to simulate composure—and even to affect a convincing smile and laugh. But the effort was so exhausting that I could only manage it for short periods of time. Soon my energy would flag, and I could no longer stave off the panic I was feeling. My smile muscles would begin to twitch and I’d start to stutter… Even years later, Ella and Earl were the only people I could spend many hours with.

I couldn’t fake self-possession in front of a group of people though, especially if there was a lot at stake. I’m remembering how, in my sophomore year of college, I was interviewed by a panel to be part of a special junior-year program. Instead of the usual curriculum, we would study—in depth—four periods in history, which I would have loved. My counselor assured me that with my grades I was a shoe-in, but when the list of those chosen was posted, I wasn’t on it.

PRIMAL SCREAM

PRIMAL SCREAM

PRIMAL SCREAM

While I was still a stewardess I dated a cute guy, Jim, who was in dental school and sang in a barbershop quartet. If this style of singing sounds old-fashioned, his group was anything but, their harmonies electrifying. But the truth was I was more attracted to his blond older brother, Randy, who had the apartment next door to mine—and who only had eyes for my roommate, Marina. I remember feeling irked when Randy told her at the apartment pool that she had a beautiful voice, and she thanked him smugly, knowing I was the one he’d heard singing. I also remember the four of us going to the beach one evening and seeing my first blue tide, the waves shimmering with phosphorescence.

Marina, however, decided she wasn’t interested in Randy, and on a later outing, Ella completed the foursome. In the evening we drove up a mountain to a campground, arriving after dark. When Jim had matter-of-factly said on the way that he didn’t believe my family situation was as bad as I claimed, I was stung. Here was someone else—besides my mother, I mean—who was denying the reality of my experience. As the other three got stoned around the fire, I sat apart—I didn’t do drugs—and felt myself spinning in a whirlpool of pain. Years later I would know these feelings were archaic and stemmed from my childhood. But at the time all I knew was that I was going to have to break up with another boyfriend.

As I sat there in the dark, looking up at the starry sky, I was seized by an impulse to scream—but couldn’t. The imperative never to make public my true feelings was too strong. Throughout my adolescence I’d had to hide my pain because that was what my mother required of me. An irony I haven’t mentioned is that while she was judgmental and critical of me much of the time, she occasionally liked to say that I was more mature than my girlfriends, seeming to bask in this idea, which I sensed was really about her need to see herself as a better parent than theirs.

To air my real feelings would be to cast doubt not only on my mother’s superiority as a parent but on her legitimacy as a family therapist, which was our bread and butter. Her very reputation could be at stake. So I’d always understood, on some level, that I must never let my suffering show. To scream would be to broadcast to the world how damaged I was—how broken, defective, crazy.

I don’t remember how long my internal battle went on—just that it was fierce. I kept saying to myself that in the grand scheme of things, what did it matter if I screamed? The stars couldn’t hear me. Still it felt absolutely impossible…right up to the moment I did—a shattering shriek. (At the time I wasn’t aware of the concept of a “primal scream.”)

Afterwards I heard laughter, other campers imagining it was a prank, I suppose. To my surprise, there was no consequence whatever to my scream—no external one, at least. Not even Ella or Jim came over to see if I was OK. But there was an internal one—for a moment later, all my pain was gone. Though it might be difficult for some to understand, this was one of the hardest things I’d ever done. Jim and I drove back to his fraternity house the next morning, and, while he was in the shower, with no forewarning—well, except for the scream—I left him.