OH, CHRISTMAS TREE

OH, CHRISTMAS TREE

OH, CHRISTMAS TREE

From A Patchwork Memoir:

It’s hard to find the perfect tree.

In the first place, it’s got to be a noble fir, which staunchly hangs onto its needles—rather than a fickle Douglas fir, which can’t be bothered and carelessly drops them all at once—because Ella and I like to keep our tree up weeks after Christmas, as well as before. It just seems a shame to cut down such a beautiful thing for only a few days of contemplation. Of course, the city has stopped picking up discarded trees from the curbs by the time we’re ready to part with ours, so we take it to the zoo to be fed to the elephants.

It’s also true that Douglas firs smell wonderful, while noble firs hardly smell at all—at first. But as they start to dry out, they give off a wonderful fruity fragrance that only gets more pungent as the weeks go by.

In the second place, even though the perfect tree has got to be lush and full, it also has to have lots of nooks and crannies because I’ve been collecting traditional glass ornaments since my twenties—I used to spend money on them when I wouldn’t spend it on anything else, because they remind me of decorating the tree with my dad as a child—and glass ornaments need room to hang.

It goes without saying that the tree has to be symmetrical, but I’m affronted if a lot of the branches have been clipped to make it look as though it was, when it wasn’t.

And I don’t go in for two or three topknots—no, I prefer the traditional one, which is getting harder and harder to find.

It has to have a good length of trunk at the bottom, so it will fit in our tree stand. So often when you consider what a particular tree will look like after you’ve hacked the lower branches off to fit it in the stand, you realize that it will be completely ruined.

It can’t be very wide because the only space we’ve got is between the fireplace and my computer desk—not that much.

It should have a straight trunk.

And not too obvious gaps on its backside.

All of which means a lot of legwork, slogging through tree lots (and I do mean slogging; during rainy winters, the lots down by the freeway—with the enormous balloon snowmen and inflated pavilions where kids can bounce around—are like marshes). Anyway, it’s less than two weeks till Christmas now, and though Laurie and I have gone to seven lots between us, we still haven’t found the perfect tree. (If you think we’re weird, Earl’s grandfather used to drill holes in the trunk and stick in extra branches to fill the gaps.)

Which brings to mind a cooking apron I wore for years until it became too unsightly with stains (I may be a perfectionist, but I’m also die-hardedly loyal to things I like). “When all else fails,” it said, “lower your standards.”

It may be getting to be time, I consider, noting the holiday bags under my eyes, to lower mine.

 

By the time Arielle was old enough to help us pick out and decorate our Christmas trees, we’d resorted to buying them at East Bay Nursery instead—and swallowing hard when we saw the price tag. She’s twelve in the photo above.

Re the ants: we found them in the toaster, the iron, even the freezer—and they tried repeatedly to set up colonies in our potted plants.

GLITCH-FREE

GLITCH-FREE

This being the close of my first year of blogs, I’ve decided to do a retrospective of holiday seasons past—relevant vignettes from A Patchwork Memoir, old Christmas cards and letters I sent, childhood photos, holiday crafts I’ve done with my godkids, and maybe even a children’s Christmas carol I wrote…if there’s a way to create a link, that is.

Dear friends and family,

Well, the rains have set in, and it’s finally gotten too cold to wear sandals—even with socks.

This year, after going to eight Christmas tree lots and seeing a dizzying array of firs, Ella and I apparently lost all sense of proportion. When we stood up the new arrival in our small apartment, we were aghast. Where would we live?

The last six months have passed in a blur, I’ve been so absorbed in writing a memoir—a patchwork of diary entries, letters, dreams, even bits of school papers, short stories, and scripts. It’s something I’ve been wanting to do since I went to Cadaques, a tiny fishing village on the Mediterranean, the summer I was thirty-two—lugging a ponderous satchel of old writing and an unwieldy suitcase with a large dictionary and thesaurus. A local—expatriate Jean Michelle—lent me his typewriter, which had a French arrangement of keys that proved to be my undoing. I don’t think I could be managing to write my memoir now without Ella’s new computer to help me organize the material—I’ve got folders within folders within folders.

Actually, it’s been great to have a project to work on at home because I’ve had to spend more time here than I’ve cared to. I’ve been catching colds and flus from Arielle, my friend Leia’s two-year-old. Once, after she lunged at me and affectionately licked my eye, pretending she was a dog, I got my first case of—I started to type “gingivitis,” then “tinnitus,” when what I meant to write was “conjunctivitis.” (Ah, the joys of peri-menopause. Sometimes I get to the middle of a sentence and can’t remember the beginning—or even what I was talking about.)

Earl and I went on a seaplane ride a few weeks ago—the champagne sunset tour. We took off from Sausalito, flew over Mt. Tamalpais and Stinson Beach, and circled low over the skyscrapers of San Francisco as the sun set and all the city lights winked on—lovely! Since we still had half a bottle of champagne left, we invited the pilot to join us (after we were back on the ground)—and he and Earl swapped flying stories. (Earl flew transports during WWII.)

I hope you’re all in the best of health and spirits. May your Christmas be gala and your year 2000 glitch-free.

Callie

SPEAKING OF CHRISTMAS

SPEAKING OF CHRISTMAS

SPEAKING OF CHRISTMAS

There were only two bedrooms in the Raymond apartment, so Doug and I shared the one with peeling yellow-flowered wallpaper. Under the narrow window was our terrarium with all the lizards we’d caught and, in time, a hog-nosed viper and a giant millipede. Besides the “sand” lizards and “mountain boomers,” as my dad called collared lizards, we eventually had blue-bellies, a skink, a chuckwalla, and a horned toad (which isn’t a toad at all). For a while we even had a couple of baby horned toads that were only slightly bigger than poker chips. On one occasion we took them out of the terrarium and discovered that if you patted their heads, they would close their eyes, but if you pinched their tails, they’d go skittering across the floor.

Despite the close quarters of our Raymond apartment, Mom found space for her Singer sewing machine in the little hallway leading to the kitchen. One of her first efforts was an orange corduroy bedspread for my parents’ bed. Sunlight through the matching curtains she made turned their bedroom—which was also my dad’s study—into a fiery orange inferno during the day, an effect I don’t think she’d anticipated.

In the evenings after Doug and I went to bed, she would make me dresses, since in those days that’s what girls wore to school rather than jeans or leggings, even in cold weather. In winter we wore ski pants—under our skirts—that we had to take off at our lockers. Despite our attempts to do this modestly, some boy was liable chant, “I see London; I see France; I see so-and-so’s underpants.”

Mom also made clothes for my 12-inch doll and several costumes for me—first, a yellow tutu I loved. I have a photo of me in clashing red skating socks attempting a balletic sideways leg extension. Unfortunately, my pigeon-toed left foot is turned in, hanging perpendicular to the floor. For Halloween one year, she made me a harem costume in cocoa-colored satin, but after the boys at school teased me with the aforementioned chant, I refused to ever wear it again. She never held it against me, though, and went on to make me a colonial gown for the 4th of July that I did wear and never complained that olive green was my least favorite color.

As for the newly finished dress I wore to Wolfy’s birthday party—and ripped—I don’t recall her getting mad at me or even scolding me.

And speaking of scolding, my dad didn’t scold either; instead he meted out swift and decisive punishments. My brother he spanked with a belt; me, he gave cold showers.

I talked back to my dad just once that I can remember. I don’t know what set me off, but I complained that he and Mom didn’t do anything for Doug and me. The next thing I remember is having to wash my own clothes on an old-fashioned washboard in our old claw-foot bathtub.

As for Doug, he often recounts how he handled a gun of my dad’s carelessly one time, inadvertently pointing it in Dad’s direction. My father grabbed the pistol out of his hand and hit him in the head with the butt end of it.

Curiously, my parents never made Doug and me do regular chores. Come to think of it, I have no idea who did the dishes after dinner—whether my father did them before Mom got home from work or she did them later in the evening. As for the other housework, we had a cleaning woman come each week—Mrs. Fales, who took me to her place once to see her daughter’s fabulous dollhouse, everything handmade out of wood.

Other memories of life in the Raymond house:

  • One day Dad got a ladder and climbed into the attic. What he brought down was a small rock collection with geodes and large polished slabs of agate—to me, as miraculous a find as buried treasure.
  • For one of his birthdays, Doug and I bought Dad a ceramic kangaroo, which he kept on his desk; you could hang your keys on its tail and put your spare change in its pouch. Now I’m also remembering a small iron paperweight—a brontosaurus-—that we probably gave him too. (In his top desk drawer, he always stored candy to keep him from smoking, sweets Doug and I never dared touch.)
  • During one of those years I drew a large picture of a black octopus and colorful fish that my parents hung over the desk in the living room. (One of my favorite artistic activities was to make a crayon drawing of underwater creatures, then wash blue or black watercolor paint over it to create the background.)
  • Recognizing my artistic ability, my parents bought me a blackboard easel, where I did a chalk drawing of an ocean liner and a locomotive from a drawing book. They also got me a box of sixty-four crayons with a crayon sharpener at the back (we didn’t have markers back then), and after serious deliberation I decided that my favorite colors were turquoise, lime green, and magenta. (Some things never change.) I had a coloring book of nursery rhyme characters that I loved because I thought their faces were so cute—I’m still obsessed with faces—and I always was careful to color within the lines. Whenever my parents bought me a drawing tablet, I’d get excited just to see the smooth white paper, experiencing it as an irresistible invitation to create…what?
  • My dad bought me a little baking set after a visit to the dentist, my favorite gift from him ever. (Mostly he gave Doug and me “educational” presents.) The set came with miniature boxes of cake mix and frosting, and on Wednesday nights I baked cakes the size of small pancakes and flat cupcakes as big as silver dollars to serve when my neighbor Alvin came over to watch Disneyland.
  • I started a sewing club with my friend Margie and made—without a pattern-—a pair of flannel pajama bottoms for my twelve-inch doll. (Those did make it to California—in my little suitcase—though I never got around to making the pajama top.) To this day I still make doll clothes, but only with patterns I’ve devised myself.
  • I liked to try to do things without instructions—to figure things out for myself, which meant a lot of my cooking experiments were inedible, and I was left wondering why my efforts to create perfume out of flower petals and water in a bottle always wound up smelling so foul.
  • Doug and I often played caroms with our friends on the carom board my dad bought us, which is a little like pool but without the cue. 
  • When I was old enough and became a Camp Fire Girl, my friends and I sold chocolate creams at Christmas, raising a lot more money than we ever made selling peanut candy.

And speaking of Christmas, I loved everything about it—not just the getting presents part, but the carols and caroling (I’ve written a Christmas carol for children you can listen to on my Song Page); the decorations we made at school—ornaments like family photos in jar lids hung with ribbon; the Christmas pageant at school of the nativity; and decorating the Christmas tree with my dad—neither Mom nor Doug ever joined in. Today I have a large collection of traditional glass ornaments that I started buying in my twenties, when I wouldn’t spend an extra nickel on anything else.

From the outset my parents told Doug and me that there was no Santa Claus—they didn’t want to lie to us—but I kept this secret from my friends who still believed there was. And that reminds me of another inadvertent mistake I made:

Before Christmas one year, Mom took me to Dayton’s department store to buy a gift for the teenage daughter of friends of ours. Mom chose an expensive 18” Madame Alexander doll—a grown-up doll with breasts (this was before Barbie)—a big mistake because, of course, then I wanted one too. For Christmas the following year, she surprised me with the same doll in a pink satin evening gown. The week before I’d copied, in chalk, an illustration of an old-world “Father Christmas” making his way through a town with twinkling lights after dark. Christmas morning, I unthinkingly stood my new doll on my dresser, leaning it against the wall my drawing was on—and got navy chalk all over the back of her satin dress. For the rest of my childhood and adolescence I took great pains to make sure my mom never saw this damage.

I gave this doll to Emma—who didn’t mind that its hair had become matted over the years—and I took a picture of it for the scrapbook we were making together. She named the doll Rose. I also gave my godkids a carom board one Christmas, but it was no competition for the latest video games.

IMPERATIVE

IMPERATIVE

IMPERATIVE

Here I am—1,010 followers later— still editing  butterflies for my Pinterest board “Beautiful Bugs,” a project I never expected to engage me for more than a few weeks. Why this particular specimen? Because after months of exploration, I’d never come upon this type of butterfly before. Besides, being in such bad shape, it was a temptation I couldn’t resist. How did I repair it?  With patchwork—more specifically with a cloning tool in Photoshop that allows you to duplicate areas of an image and apply them elsewhere. Why bother?  Well, a vignette I wrote in A Patchwork Memoir might shed some light:

For as long as I can remember, I’ve felt this…prompting?…urgency?…imperative?…to  transform anything old or damaged, to repair and restore it to its pristine state. And the more unsightly it is—the more worn, shabby, beat-up, tarnished, stained, or corroded—the better. Why, I even remember, when I was living on Bell Street in Lafayette, surreptitiously lugging a pail of cleaning supplies up the hill at dawn to a small dilapidated house for rent, a fixer-upper that I wished I could afford. I let myself in, knowing the place wasn’t locked, and spent an hour down on my hands and knees, scrubbing the parquet floor in the kitchen—white tiles alternating with teal blue—with cleanser and scouring pads to restore it to its former brilliance. Not for the first time, it occurred to me to wonder if this obsessive need to transform damaged things could be rooted in a wish to restore my brother’s disfigured face.
SCHISM

SCHISM

SCHISM

I’ve decided to try an experiment—using train of thought to write a vignette about my parents, beginning with:

We hardly ever did things together as a family—as far back as I can remember, anyway. Nor did my parents spend much time with each other, though they did go to the occasional party together. My mom had an hour-glass figure and used to wear a beautiful black sheath with flocked red roses when she got dressed up. At one party, she told me years later, she was introduced to the novelist Saul Bellow. When she said she was a social worker, he reached out his arms to her and exclaimed, “I need relief!”

We didn’t even eat supper as a family. My dad fed my brother and me before my mom came home from work, though I can’t remember what he cooked. He was uninterested in food, so whatever it was must have been easy to prepare—my dad wasn’t in the habit of doing anything that didn’t suit him. What I do remember, probably because I found it repellent, was tongue…and pickled pigs’ feet that came in a jar. Putting on my thinking cap, I find I can retrieve a few more culinary recollections: chow mein—it wasn’t takeout, so it must have come from a can—and spaghetti (with button mushrooms that also came in a can).

The only time the four of us were regularly together was Sunday mornings, when my brother and I would pile on my parents’ bed before they got up—to read the Sunday comics while my parents read the news. Then my mom might make us French toast for breakfast or whip up some banana eggnog. Afterwards she would often go downstairs to talk to Beverly. Bev and Gus owned the duplex we rented and had a little boy named Greg, who said he wanted to marry me when he grew up.

So the things my brother and I did with our parents, we did with one or the other of them. In the evening my mom would read to us—until we learned to read ourselves—and we three would watch TV while my dad was holed up in his study. (We got our first TV when I was in second grade.) This was the heyday of the western—Wyatt Earp, Cheyenne, Have Gun Will Travel, Maverick, Sugarfoot… I can still remember all the words to the theme songs. Some of our other favorite shows were Robin Hood and Davy Crockett (all the boys had coonskin caps at the time)—and on weekends, the Perry Como Show (he was a barber who became a crooner), Sid Caesar’s wacky comedy hour, and the Hit Parade, which showcased the ten most popular songs of the week.

Which reminds me that one school day before a PTA meeting—I don’t know what grade I was in—our teacher asked us to draw a picture of our parents, intending to put our portraits of them on our desks that evening and have our parents guess which desk was their child’s. Mine was a no-brainer because of my dad’s red hair. But, interestingly enough, I started my picture with a vertical line down the middle of the page. This represented the wall between my parents’ bedroom and the living room. On the left side of it, I drew my dad in profile, lying on the bed, reading (which he did almost nonstop). On the right side, also in profile, I drew my mom, sitting on the sofa with a box of chocolates and watching TV. (Not that she ate chocolates that often; I just knew that she loved them.) What’s more, my parents were facing in opposite directions—and that just about sums up their marriage.

In my blog post “The Expurgated Version” I wrote about the things my brother and I did with our dad, including catching butterflies and fishing. Every fall a lepidopterist Dad knew would pay us to net as many monarchs as we could during their migrating season (they’re the only butterflies that migrate). We also caught morning cloaks, with their velvety dark purple-brown wings edged in yellow; commas and question marks, whose punctuation appeared on their back wings in silver; dogfaces that were lemon yellow and had the black profile of a dog on their upper wings; as well as fritillaries, red admirals, tortoise shells, buckeyes, and viceroys, which looked like small monarchs, hence the name. But the greatest prize of all was a tiger swallowtail—bright yellow wings with black stripes and delicate tails.

As for fishing, we’d stock up on Baby Ruth bars—my dad’s favorite candy—and minnows, rent a motor boat, and roar out to the middle of Lake Independence in Minneapolis. As we approached any area my dad thought might have fish, he would cut the motor and row stealthily the rest of the way.

On one outing my dad was thrilled to snag what he thought must be a huge fish since it was hard to reel it in. Instead it turned out to be a gigantic snapping turtle that he managed to drag into the boat with a net. “Kids, we’re going to have turtle soup tonight!” he exulted. But the turtle had other ideas. It lumbered out of the net and advanced toward us, snapping viciously, equally determined, apparently, to have us for his next meal. My dad tried to fight him off with an oar, but the turtle bit into it and wouldn’t let go. It was only after a considerable struggle that my dad was able to pitch the rabid creature over the side of the boat. To this day, I’ve never tasted turtle soup.

On another occasion, when Doug and I each had a friend along, he let us off on the island in the middle of the lake so we could go exploring. Instead, we found the whole place so infested with wood ticks, we couldn’t pick them off fast enough. Soon, it became clear that the safest thing to do was sit tight because, even then, enough ticks crawled on us to keep us busy. As we waited for what seemed like—and may have been—hours for Dad to come to the rescue, we made a game of keeping a running tally of who had picked off the most ticks, though I no longer remember who won. Which reminds of something my mom told me years ago—that shortly after she and my dad were married, they were walking on a beach and he wandered off, forgetting she was with him.

One of our traditions as Dad headed the boat for shore at sunset was to sing “To wonderful, wonderful Copenhagen, salty old queen of the sea…” at the top of our lungs. Even then we could hardly hear ourselves over the outboard motor. It was a line from a song in the movie Hans Christian Andersen, with Danny Kaye. Mom said I cried after the movie when I was little, so entranced by it that I didn’t want to leave the theater. No doubt I was captivated by Andersen’s fairy tales. But also, Danny Kaye looked very much like my dad, only with a warmer, gentler aspect.

Once in a while we did all go to a movie together—usually at a drive-in theater. Doug and I would get Cracker Jacks and go excavating through the caramel corn to reach the toy at the bottom of the box. Since Dad wasn’t about to go to any movie that didn’t interest him, we mostly saw nature films as a family, like Disney’s The Living Desert and The Vanishing Prairie.

Now those wood ticks are reminding me of the one and only time our family went to a resort together to spend the weekend—Black Duck Lake. I don’t remember seeing any black ducks, but I do remember my brother and me running down the pier, jumping into the lake, and swimming like mad to shore, where we peeled off all the black leaches that had latched onto us, sometimes even managing to squeeze between our toes. That done, we’d dash down the pier again…and again. Not surprisingly, my parents never joined us for a dip.

We didn’t even play games as a family. My father taught me the rudiments of chess, and he, Doug, and I sometimes played cribbage, but that was about it—Mom never joined in. Come to think of it, I don’t think I ever played any kind of game with my mom.

I do remember her taking me to the Children’s Theater in Minneapolis a few times, however, to see plays like Aladdin and occasionally driving both Doug and me to Lake Johanna on summer weekends. While she worked on a suntan, we swam and cavorted all afternoon, leaving me with a succession of sunburns. On the way home, we always stopped for fried chicken at the Roadside Drive-In—even after the yellow arches of the first McDonald’s appeared farther down the road.

The longest times we ever spent together as a family were our cross-country trips. First we’d head to Oklahoma to see Frank, Margret, and Dad’s other relatives, then to California to visit my mom’s family and friends. Along the way we drove through all types of terrain—the Badlands of South Dakota and the Painted Desert in Arizona—and we stopped at all the scenic sites (in no particular order): Mt. Rushmore (also in South Dakota), Carlsbad Caverns (New Mexico), Devil’s Tower (Wyoming), the Indian cave dwellings (Colorado), the Grand Canyon (Arizona), Crater Lake (Oregon), Yellowstone Park (Wyoming mostly), and Yosemite (California).

Wow! I just looked up the Petrified Forest to see what state it’s in and saw a dizzying array of fabulous photos of the Painted Desert. And what I’ve been feeling as I write this train-of-thought blog is the richness my dad brought to my life, even if he could be unfeeling, even if he did intimidate me. But when my mom broke her promise to him in their divorce agreement never to take my brother and me out of state, all that richness came to an end.

As I reread this account, I think to myself: My father was always more invested in Doug and me than my mother was—he spent far more time with us—though I considered my mom the more sympathetic and approachable of the two. (She would one day say that he loved us, perhaps, as much as he was capable of loving anyone.) 

HAPPY THANKSGIVING!

HAPPY THANKSGIVING!

HAPPY THANKSGIVING!

In my journal I wrote:

Friday, when I was driving Emma to my house, half a block away we saw two turkeys strolling nonchalantly down the sidewalk. I looked around for someone they might belong to but didn’t see anybody. “I wonder if they’re wild and flew here from the cornfield down by the freeway,” I said. That was the only place I’d ever seen turkeys.

“Turkeys can’t fly,” Emma stated emphatically.

Then this morning, driving back from the pool, I saw a line of them exit that same cornfield through an opening in the chainlink fence and go scuttling down a jogging path like they were on their way to a fire. Or maybe they were just imitating the joggers they’d seen taking their daily constitutionals and figured it was as good a way to get their heart rates up as any. (Actually, I’m pretty sure turkeys can fly—at least the wild ones. Maybe the domestic ones have been so beefed up for Thanksgiving dinner, they can’t get off the ground?)

Yup. I just checked Wikipedia, which said that wild turkeys are agile fliers, though they usually fly close to the ground and for no more than a quarter of a mile.

Above is the first drawing to appear in my childhood art scrapbook, done when I was five. Below is the “update,” I created in Photoshop a couple of months ago.

TO A LIGHTHOUSE – Part III

TO A LIGHTHOUSE – Part III

TO A LIGHTHOUSE – Part III

On the road again, we head north to the town of Pescadero and Duarte’s restaurant, famous for its artichoke soup. It’s a rustic tavern with wood-paneled walls and huntsmen’s trophies overhead—sets of deer antlers with and without heads. I marvel again at how beautiful deer faces are and wonder how anyone can bear to shoot them.

Earl tells me about his friend Hank from his Greenwich Village days answering a classified ad for a used something-or-other—and after going to buy it from the seller, commenting to Earl ingenuously, “And isn’t it a coincidence that his name was Norman Mailer, just like the novelist?” Earl’s circle of friends and acquaintances back then included Jack Kerouac, as well as Mailer, and other up-and-coming writers and artists of the time. He lived on the fourth floor of what had been a factory with his wife Moira, who was also a painter—and looked like the Egyptian queen Nefertiti, he swears. The “loft,” as they called it, was 2500 square feet (with the requisite skylights), which his friend Jimmy and he partitioned into three studios and a living space, using the wood from packing crates they scavenged in the neighborhood. He and Moira had a Siamese cat named Sheba that gave birth to a strange litter of kittens—Eightball, Oddball, Blackball, and Fink, they called them. Eightball, the one they kept, was huge and curly-haired, which led them to speculate he might have been sired by a bobcat. He used to climb up the back of Earl’s easel and jump up into one of the skylights, where he hunkered down on a beam and watched Earl paint with rapt attention for hours on end.

“Did you and Moira have a church wedding?” I ask. They were married by a Unitarian minister, he says, and Moira wore a blue cocktail dress. They had to cut back the guest list when her father, a graphic artist who worked for Disney, among other jobs, went bankrupt for the umpteenth time, and they realized they were going to have to pay for the wedding themselves. But the celebrated painter Hans Hoffman, Earl’s mentor, attended with his wife. And their weird friend Syd, who, after poring over the paintings in the Metropolitan Museum, showed up at the Hoffman School, announcing at the reception desk he wanted to learn to paint like Delacroix. “That’s good enough,” said Hoffman, who happened to be standing nearby—and promptly admitted him.

When Earl talks about Moira, I think to myself, “She was the love of his life.” And I wonder how much competition had to do with the failure of their marriage. “If I was the better painter, she was the better artist,” Earl once told me. But the art world has always been an exclusive men’s club—and so while Earl won prizes and was offered teaching positions, Moira was left to watch from the sidelines.

TO A LIGHTHOUSE – Part II

TO A LIGHTHOUSE – Part II

TO A LIGHTHOUSE – Part II

                                                                 Outside the lens

After we’ve bought our tickets, we have to scuttle to catch up with the last tour. A hundred and thirty-five steps, our guide tells us. (Earl essays them despite his bad leg.) I’m secretly grateful for the pauses at various landings while she instructs us—and try not to huff and puff too wheezily, so no one will know how out of shape I am. Now electrified, our guide explains, the lens used to be turned by a weight on a pulley that sank into a six-foot well at the base of the lighthouse. The wrought-iron steps were ordered from San Francisco, then couldn’t be assembled without help from the manufacturer because no one could figure out the numbering system—and, of course, they had to be arranged in descending—er, ascending?—order of length. They’re anchored to a wall within a wall, she continues, since wrought iron is subject to corrosion by the elements.

At the top is a Fresnel lens, designed by the French physicist in 1822. It’s like a four-ton cocoon of prisms—a thousand of them, arranged in vertical rows to magnify and bend the light of the thousand-watt bulb within. In the days before electricity, the guide informs us, the lighthouse keeper had to climb inside to cut the wicks of the oil-burning lamp and polish the prisms ceaselessly to wipe off the soot.

There are drapes half-drawn across the windows that surround us. At the Point Reyes lighthouse—where Earl and I have also been—they have to keep the drapes closed on the land side, she tells us. Otherwise, the lens would focus the sunlight like a magnifying glass and set fire to the hillside.

                                                                   Inside the lens

TO A LIGHTHOUSE – Part I

TO A LIGHTHOUSE – Part I

TO A LIGHTHOUSE – Part I

“Hi! It’s me!” I greet Earl when he answers the phone. “Hi, me!” he humors me. (Pippa, his boarder, tells me when Earl recounts one of our adventures he always begins, “Me and I…”) “I’m feeling stir-crazy,” I complain. “Wanna go for a drive?”

The day is bright and chilly, with a blustery wind, I discover when I sally out to his red truck. “I guess the beach is out,” says Earl—and suggests we drive inland to the wine country. Not easily deflected from my purpose, I trot back inside for my mittens and earmuffs. Earl says wryly that he’s going to have to find himself a landlubber for days like this.

“It’s not going to rain, is it?” I wonder out loud. “The weather man says no,” he assures me. But I’m not convinced. I’ve been waking to brilliant sunshine, nodding off again—I’ve been sleeping especially fitfully lately—and waking later to a dark, disgruntled sky dumping rain all over everything. Typical November contrariness. A couple of mornings ago, the whole east had a deep pinkish gold glow at dawn, as theatrical as a sunset. But an hour later, it was grim and stormy. “Uh-oh,” I say, spotting a single puff of cloud on the horizon, at this distance the size of a marshmallow.

The ocean is simply too blindingly bright to look at without sunglasses when we reach it. “I doubt our nudist is out today,” I observe as we pass high above his beach. He’s there, but bundled up.

We continue south to the second Pescadero Beach—there are two in a row; the more distant one, we discover, is barely walkable, it’s so littered with stones. Golden brown and ranging in size from a fist to a hassock, they’re covered with blackened seaweed—small rubbery leaves and fibrous clumps like Brillo pads.

Through a channel between boulders, I see the water seething oddly high above me. Intermittent gusts of wind are blowing flurries of foam at me, wads of it, pelting me like bullies throwing snowballs. It must have bombarded a lot of beachcombers before us, because there’s foam everywhere, settled among the rocks like snowdrifts. When I round a bend, I see an entire foam bank, impassable because you can’t tell what’s under it. I proceed carefully from stone to slippery stone around its perimeter. The illusion is you could step between them, but I quickly discern there are tide pools underneath.

I make my way gingerly out on a wall of rock, finding sure hand- and footholds, to get to a position where I can take pictures facing away from the sun. Even then I know there’s probably too much contrast—but I take snapshot after snapshot anyway. (The great thing about being a novice photographer is you get to live in a fool’s paradise, since you’re not all that clear about the limitations of film yet.) When I’ve taken a dozen, I notice belatedly that the lens is covered with a fine mist. “Ratso Rizzo!” I think peevishly. He was the character Dustin Hoffman played in the movie Midnight Cowboy, I realize, upon wondering where that expression came from. Earl hollers to me that he’s getting cold—and heads back to the car.

So we drive further south to the Pigeon Point lighthouse, which has tours on Sundays. 

 

KISSING GAME

KISSING GAME

KISSING GAME

In a box of childhood mementos, I came across my Bluebird autograph book with the entry above.

The Cow Pasture wasn’t one, and there wasn’t a single desiccated cow pie to prove it ever had been, as far as Wolfy and I could discover. It was a rural patch of land in the middle of the city, belonging to the Farm Campus of the university. On the other side of a busy avenue, it was bounded by thistles that deterred all but the undeterrable, for whom scratches, like skinned knees and mosquito bites, were normal summer accoutrements. Beyond the thorniness was an expanse of brush that formed a low, dense canopy with tunnels between the trunks—a labyrinth just high enough to crawl through. Behind it were small poplared hills, which shimmered silver in summer, gold in the fall. On one especially grassy slope that we dubbed “Lovers’ Lane,” Wolfy and I devised a hit-and-miss kissing game dicier than Spin the Bottle. The rules were we had to roll down the hill together with our eyes shut and smooch whatever we bumped into—knee or elbow, stump or stone. From second through fifth grade, Wolfy was my boon companion. When I set out to write and illustrate my second children’s book, as I explain in my bio, “It started as a story about Wolfy’s and my escapades together but quickly became a fairy tale about an opinionated little princess who didn’t believe in fairy tales and her savvy little fool, who knew better.”

To read Sir Little Fool and the Skeptical Princess, scroll up to Categories in the right-hand panel and click on Children’s Stories.