GOODYCAT

GOODYCAT

GOODYCAT

Since child neglect and abuse has been an issue in my life, many years ago I wrote a story called Goodycat. I only drew a few illustrations before I decided that the story, as written, was too dark for young children.The two drawings above, plus the illustration I sent to Maurice Sendak (below), are the only ones I’ve ever done in chalk.

 

GOODYCAT

There was a cat called Baddycat

Whose naughtiness was such,

His owners, the McMeanies,

Didn’t want him much.

He shredded the upholstery,

He scratched the bathroom door,

He scrambled up the curtains,

And piddled on the floor.

He chewed on things he shouldn’t,

He howled for half the night,

Made messes in the kitchen,

And gave the dog a fright.

They whacked him with the Herald,

They yelled and stomped their feet,

And locked him in the basement

Without a bite to eat.

And still he misbehaved,

So when his fleas were found

In everybody’s blankets,

They dragged him to the pound.

“You’re nothing but a nuisance!”

The family cried with scorn

And left him in a cage,

Feeling quite forlorn.

He cried himself to sleep—

He didn’t mind the noise—

And woke up in a box

Among some kitty toys.

His new home was a marvel,

Full of smiles and pats.

He soon began to think himself

The luckiest of cats.

He scratched his fuzzy post,

And no one ever hollered.

He used his private door,

Where no one ever followed.

And when he wished to climb,

He had his pick of trees.

He often wore his collar—

And hadn’t many fleas.

He piddled in his box,

He slept the whole night through,

And gnawed his catnip mouse

When in the mood to chew.

His family the McKindleys,

Were pleased as pleased could be

That he was such a Goodycat,

And frankly, so was he!

 

I intended the illustrations to provide a subtext, showing that Goodycat was neglected—that his original owners forgot to feed him, change his litter box, or provide for any of the natural needs of a cat.

MAZE

MAZE

MAZE

 A few years ago I read Joan Brady’s autobiography, The Unmaking of a Dancer—her account of how her mother destroyed her dream of becoming a ballerina. I identified with her so much, I considered calling one of my vignettes “The Unmaking of a Singer,” though it occurred to me that the more global “The Unmaking of a Daughter might be even more apt. I got so much negative reinforcement from my mother after our move to California that whatever good feelings I’d ever had about myself faded from memory.

Looking back, I realize that she couldn’t control me through intimidation the way my father had—I wasn’t as afraid of her as I was of him. So she used shaming instead. When she berated me, I didn’t take it lying down. I fought back, trying to defend myself. But while arguing may have felt necessary at the time, in the long run it eroded my self-esteem still further, I felt so bad about the angry person I was becoming.

When I went to my mother for support, she used to tell me that after a day of ministering to her clients’ needs, she had nothing left to give. If I asked her advice about a problem I was having, she found a way to make me feel I’d brought it on myself. If someone had hurt me, she was liable to take their part, saying if I hadn’t done such and such… A curious aspect of what she conveyed to me by always making me the culpable one was that the world was correspondingly benign. I was so deeply conditioned to perceive things this way that I still have a hard time recognizing potential danger—either psychic or physical—from a person or situation.

When I was younger, my mother had told me children were too self-centered to love, as I’ve said. During my teenage years, however, the picture my mother presented of adult life was so bleak that I became afraid to grow up.

In high school, when I belatedly found out my homeroom teacher was married, I felt desolated. I’d entertained the fantasy that maybe, when I was older, he would marry me, and the thing that so powerfully attracted me to him was his playfulness. He was the one grownup in my life who gave me hope that adulthood wasn’t necessarily unrelieved toil and travail.

When I think of the complexities of my relationship with my mother, the image that comes to mind is a maze with no exit. I’ve tried, as an adult, to tell her how unhappy I was during those years, but she has dismissed my suffering, saying everyone is miserable as an adolescent.

As for her rages, she denies she ever had them, despite the fact that my brother remembers them as well as I do. The first time I brought up the subject as an adult, she became so infuriated, she stomped up the stairs, screaming that I was trying to destroy her. The second time, she yelled that I wasn’t welcome in her house if I was going to dredge up the past, though a year later she called me to reconcile. She said then, with a stoical sigh, that she’d realized I had a need to believe what I did.

SERENADE

SERENADE

SERENADE

Two years ago on May 1st, I wrote the following blog:

Yesterday was my birthday.

At noon, I decided to treat the day like any other Monday and go swimming at the Plunge, where my mom used to swim as a child. One day several years ago I drove all the way to Point Richmond, a tiny town built on a steep hill, to see the pool while it was being renovated.

The building had stood empty for years, according to a gal I met there recently. When her friend, actor Robin Williams, asked why it wasn’t in use and found out the city didn’t have the funds to renovate it, he made a considerable contribution.

The Plunge still has a huge neon sign on the roof that lights up at night—Municipal Natatorium—and stands between two old tunnels: one for the trains that still wind—quaintly—right through the middle of town. The other for cars headed to Miller-Knox Park that has a little lake with an island in the middle of it—and is a hangout for Canadian geese, egrets, and a great blue heron.

As you can see in the photo, the entire the far wall of the pool is a mural of the park, great blue heron and all, painted by the husband of an acquaintance of mine from the pool—Susie. She’s a retired art teacher and liberated redhead, who wears all the colors we carrot tops aren’t suppose to, like magenta and purple.

On the first Wednesday of the New Year, when I went there to swim, two black gals were hanging out, chatting, in the water-walking lane. Though they were strangers, one of them asked cheerfully how I was, as I descended the ladder. Impulsively—I’m trying to be more visible, as I’ve said—I told her the truth. “My mom just died.” Immediately their faces filled with concern. “Come into the water,” said Z’ma, whose name I didn’t know at the time. “This is your mother—it’s her womb.” And she stretched out her arms to me. Gratefully, I hugged them both. As I wrote in my journal:

I can’t say how comforted I was by their warmth. But it was only later that I made the following connection: When my family moved to New Haven for a year so my dad could get his Ph.D. at Yale, my parents put me in an all-day preschool run by three black teachers. I came to love Ms. Green and felt she loved me too; even after we moved back to Minnesota, she wrote me a few times.

Though I don’t remember much about my kindergarten year back in St. Paul, I do remember the emptiness I used to feel going up the stairs at bedtime in the big old two-story house on Dudley Street that we rented for a couple of years. It was loneliness, maybe even depression, I’ve come to believe, and I’ve always thought it was because I was missing Miss Green.

Now it strikes me that I’ve come full-circle, as I have at so many other times in my life. When I missed my parents—the days felt so long at the preschool at first—there was Miss Green to welcome me into her arms. And now that I’ve lost my mom, there were these two black strangers at the pool, doing the same thing.

Yesterday Z’ma was just coming out of the shower after swimming while I was changing into my suit. We gave each other a hug, and when she asked how I was, I said, “It’s my birthday!” The next thing I knew, she had all the other women in the changing room—most of them strangers—singing Happy Birthday to me.

GIFTS

GIFTS

GIFTS

 

It’s my birthday! And two days ago, the proof of my fairy tale collection The Poof! Academy arrived in the mail, just as I’d hoped—the best birthday gift ever! At long last I’m able to hold my first book in my hand.

At noon Ella took a lunch-hour break, and we went over to my godkids’ home, three blocks away. Leia had invited us over to see the transformation of her formerly cluttered back yard into a vegetable garden. We arrived to find Happy Birthday balloons bobbing in the breeze and her large patio table laden with bouquets of flowers, birthday cards, and a gift bag. My first surprise birthday party ever! The patio chairs were pulled back so we could all keep our distance—Leia was eager to reassure us that she’d disinfected them—and the five of us, including Michael (age 20) and Emerald (17), chatted through masks for over an hour. I’m afraid I did the lion’s share of the talking, I was so eager to tell them the saga of how my book had finally come to be—almost—published.

Then, in the late afternoon, Ella and I made lemon jello cake from a recipe I’ve had since I was as a teenager. We poured lemon syrup on it after baking—and ate it while it was still warm.

NEW NORMAL

NEW NORMAL

NEW NORMAL

It’s a beautiful spring day, preternaturally clear and bright—or so it seems to me, since the sky is freer of smog than at any time within memory. I’ve opened the back door and bathroom window, creating a gentle cross breeze as I work at my desk. Because it’s been cold recently, Ella and I have been cloistered—with windows closed and curtains drawn, both of us working so hard that we’ve barely been aware of our surroundings, which have gotten especially cluttered. Some days, we forgot to change out of our nightgowns until our evening walk. But now—at last!—I feel I can relax, having finally sent the pdf of The Poof! Academy to Kindle Direct Publishing. A proof should be in my hands within the week. Gee! I’ve only waited fifteen years to get this book published!

Not only do the skies have a rarefied clarity, but they say on the news that animals not normally seen are venturing out onto the otherwise vacant city streets all over the world— and dolphins are swimming up the canals of Venice—while we humans listen to the mounting death toll from the cornonavirus—as of noon today, over 51,000 in the U. S. and 194,000 worldwide.

And what is my new normal? Instead of house-made granola from Fat Apple’s restaurant, and fresh salads from Ladle and Leaf, and deli favorites from Market Hall like Moroccan chicken and fresh raviolis, everything I eat is pre-packaged or frozen. (Ella hates to cook, and I, with my bad back, can’t.) Almost daily, I eat a chopped salad of raw broccoli, cauliflower, and cabbage from Trader Joe’s, partly because its lemony dressing is the only one I’ve found that I actually like. I’ve had to go spelunking in the back of the freezer for ancient entrees, covered in frost—inside, under the cellophane. Meanwhile, endless trails of cars are lining up at food banks around the country. I know I have it good.

I mindfully wash my hands throughout the day, and swab down my keyboard and mouse with a wipe each morning. (The latter is only possible because Ella was finally able, after five weeks, to procure a canister of Clorox wipes at CVS—by ascertaining the delivery day and showing up when they opened.) Washing my hands in the bathroom involves soaping the faucet handles at the same time, since my hands might have been contaminated when I turned on the water. In the kitchen, where there’s a single movable handle, I have a different solution. I turn on the water by pushing the handle upward from underneath with the back of my hand in order to keep the top of the handle uncontaminated at all times. Also, I have a rule: if I’m washing my hands to touch food directly, I dry them with a paper towel; otherwise, I use the hand towel hanging on the refrigerator. (When Ella arrived at Trader Joe’s at 8:00 a.m. yesterday, they were out of paper towels.)

The worst part of sheltering in place for me is not being able to swim and do water aerobics, which have been my main form of exercise for decades because, with my fibromyalgia, I kept injuring myself when I tried anything else. Now I’m having to explore new ways of working out on our Aerobic Rider, which had been gathering dust, also for decades.

And how do I feel about all this? Well, maybe my leg says it best: I often find it swinging back and forth with a fitful energy, as it’s doing right now.

HAVEN

HAVEN

HAVEN

There had been one bright spot in my life in California:

My very first day of eighth grade at Garfield Junior High—now Martin Luther King Middle School—my homeroom teacher asked the girl two desks in front of me to help me find my classes and show me around the school. Her name was Linda, a carrot-top like me, and though we couldn’t have looked more different, because of our hair strangers would ask if we were sisters. But hers was bright, while mine was pale; her eyes were hazel, while mine were blue; her skin was creamy, while mine was freckled; her nose was straight and bold, while mine was crooked and nondescript. At lunchtime she introduced me to two of her friends, Daryl and Nikki—all three of them children of divorce, though Linda was the only one who lived with her father. (In St. Anthony Park, I hadn’t known any kids whose parents were divorced.)

It was Daryl I was drawn to from the beginning, both for her gentle manner and her sense of humor, which jibed with mine in a way I’d never experienced with anyone before. She began asking me over for dinner on Fridays, and her home became a haven for me. She lived with her writer mother, Nancy, who walked with a limp, and who, like Daryl, had a gentle way about her. Their house was in the Berkeley Hills. From their picture window, in the evening, you could see a panoramic view of the bay, a sea of twinkling lights in the foreground, the San Francisco skyline and Golden Gate Bridge in the distance. A typical dinner was steak—which my family couldn’t afford—and red leaf lettuce salad, which seemed very elegant to me because all I’d ever eaten was iceberg lettuce. They had a tiered yard and garden in back, and their living room was spacious enough for us to do modern dance in. Nancy even hired a dance teacher to give us lessons. In Minnesota, I’d started going to the Unitarian Church in Minneapolis in seventh grade with my friend Mary and her family, as I’ve mentioned. In Berkeley, Daryl and I started going to the Unitarian Church in Kensington, a modern gray stone structure with an atrium, rubber trees, and an even more spectacular view of the Bay Area cities because it was on the very highest ridge of the East Bay hills.

From my mom, who got to know Nancy, I learned that Daryl’s father was a musician and that Nancy’s lameness had been an issue in their marriage. Though it would be years before I knew I was meant to be a writer, I felt a comfort and affinity with Nancy. What I didn’t know was that, unlike my own mother, she recognized who I was and understood that my life was likely to be a difficult one. Only as an adult would I learn that my mother had always viewed me as so talented that I “would never want for anything,” including—apparently—attention, understanding, empathy, and encouragement. Nancy, on the other hand, had expressed to my mom the opinion that I was an artist and would suffer. “Talents aren’t assets that lift you above want or need,” I would tell my mother as an adult. “They’re hungers—and if they’re not fed, you’re likely to become as emotionally blighted as a starved child is physically blighted.”

What I couldn’t foresee, as I headed back to California from Minnesota at the end of my summer with my father, was that my safe harbor with Daryl and Nancy had only been a temporary one.

In ninth grade, Linda’s father decided to send her to a home for delinquent girls in Oakland. He’d recently remarried—a woman with two daughters—and believed that Linda was trying to sabotage his relationship with his new wife and stepdaughters. So beginning in ninth grade, Daryl invited Linda to live with her—and I don’t remember ever visiting her home again. I also know from my mom that Nancy found Linda difficult and was deeply distressed about her staying with them, but Daryl remained staunchly loyal to our mutual friend, and she and I were never close again.

THE FRYING PAN OR THE FIRE?

THE FRYING PAN OR THE FIRE?

THE FRYING PAN OR THE FIRE?

I went back to Minnesota the summer after eighth grade with the secret resolve that I was going to stay. I didn’t tell my mother, of course, or she would never have let me leave. I didn’t even tell my brother, though he might have wanted to be included in the plan.

But when my father met us at the bus station, the first thing he told us was how sick he was and how disabled he’d become. That night, in the tiny back bedroom of his latest apartment, I cried myself to sleep, feeling my last hope blasted.

My father complained of a fiery pain throughout his body whenever he exerted himself—his doctors had diagnosed arthritis. He was now an invalid—bedridden except for the few hours he still taught at the university; he’d had to cut back on his classes and relied heavily on his TA’s.

When I think of that summer, I don’t remember any real contact with him at all—he sequestered himself in his bedroom, as distant as my mother had been in the two years after the divorce—but even colder. It was as though he’d walled himself off from my brother and me so he could never be hurt again. (Years later he would tell me that the day we’d left for California was the bitterest day of his life.)

I remember trying to engage him in intellectual conversation, asking on one occasion if time could exist without movement, but he dismissed my question, saying a discussion of time would be beyond my comprehension.

Another time I told him about a program I’d seen on mountain lions. “When they’re cubs—even when they’re nearly full-grown—the animals that will become their prey aren’t afraid and will play with them,” I said. “But when they start hunting for themselves, the same animals flee, knowing that they’re dangerous now.” At which point my father laughed scornfully at me. “Your statement is absurd,” he said. “You don’t have the slightest idea of the philosophical complexities of the word ‘know.’ To claim that animals can ‘know’ anything is preposterous.” That’s when I began to feel there were hidden booby traps in language and that I had to be careful of every word I spoke.

In the meantime, my brother and I were left to fend for ourselves; we bought the groceries, cooked the meals, cleaned house—I wound up doing the lion’s share—and played with our cousins, who lived a few blocks away. Sometimes we took the bus to St. Anthony Park to see our old friends. But to me, there was even a sadness about that—they’d gone on with their lives, I felt, and left me far behind.

At the end of the summer, I decided to go back to California, after all. I wouldn’t have been able to go to Murray High with my friends, anyway, since my father now lived in another part of the Twin Cities. I’d fantasized that he would be willing to move back to St. Anthony Park, but now I realized he wouldn’t. I suppose I was proof of the tenet that children will choose negative attention over no attention at all.

Years later I wrote:

“By the end of eighth grade, three years after my parents’ divorce, I felt I’d lost everything: St. Anthony Park, which would always be home to me, as well as all the people I loved—first Wolfy through distance and circumstance, then Kathy, who rejected me, my father, who withdrew emotionally, and my mother, who turned on me. I lost my belief in myself—in my own goodness, intelligence, talent, and ability to cope, as well as a childish belief in my own indestructibility. And I lost my faith in people—their goodness, constancy, and their ability to triumph over adversity. I lost my belief in love itself.”

LOCKDOWN

LOCKDOWN

LOCKDOWN

 

Ella and I, fierce critics, used to creep furtively upstairs on occasion—after the workers had left—to see how the conversion was progressing. We saw the new configurations of the three apartments above us when only the two-by-fours were in place, and later, the resurfaced white walls, which I coveted, they looked so pristine. Then we saw these same walls painted gold, making the rooms darker. (“This living room is like a tomb! The only light coming in is from one small window facing the looming wall of the neighboring house!”) Still later, we surveyed the new “kitchenettes” installed in the old living rooms, often against the only available wall. (“Where in the world is the living room furniture going to go?”) And (“How are they going to create new flat floors now that, after the leveling of the foundation, they’re so bowed?”)

But no more creeping. A week ago our governor, Gavin Newsom, announced that, because of the coronavirus, we Californians were obliged to shelter in place. The university had already shut down, and Ella had set up her new “office” on our dining room table, working on a geriatric laptop inherited from her brother. Each day we toil, companionably and diligently, on our respective projects—sitting only a few yards apart.

Meanwhile, the construction workers continue to come and go (they’re exempted from the lockdown), sometimes spending hours in the little foyer just outside our door. Ella and I wear masks—that Ella was given by a co-worker during the wildfires last fall—when we pass through the foyer to go on our daily walks, and we swab down the front door handles once the interlopers are gone. Still, I’m anxious. My theory, since the coronavirus can be passed through respiration, is that once those droplets fall to the floor, Ella and I are tracking it into our apartment on our shoes.

Initially, we were both worried that we would run out of toilet paper because we heard on the news that store shelves were empty due to hoarders—which reminded me of something I heard many years ago in a folklore class at Cal. The instructor had gone to stay with her Basque relatives in Spain. In their outhouse she noticed a board with brown swipes on it, later learning that was how people wiped themselves! Thankfully, Ella was able to buy toilet paper on her last trip to Trader Joe’s, where they’d drawn chalk lines six feet apart on the sidewalk in front of the doors—for the customers to line up—and only allowed one package of TP and paper towels per. But we still haven’t been able to find hand sanitizer, antiseptic wipes, or 409.

Anyway, I’ve been laboring with particular intensity because, a few weeks ago, I started working with a new graphic artist, Sara, on the layout out of The Poof! Academy. I’d hoped to have it published before Christmas but was so painfully conflicted, I couldn’t go ahead with it. The text was alternately glaringly gappy or crowded throughout the whole book, no matter how many hyphens I asked Lorna to try—until she suggested I learn some InDesign, so I could fine-tune the spacing of the text myself. So I studied a little about kerning, tracking, and leading (pronounced “ledding”), and got a referral to a tutor. And Sara, I’m elated to say, has changed everything!

P.S. I won’t be posting further flowers in the order I see them bloom because…well…I no longer can see most of them.

SHAMED

SHAMED

SHAMED

In California, my mother became someone I didn’t recognize. She was alternately hysterical and wrathful, haranguing and disparaging and blaming both Doug and me, though most of what she accused us of, I eventually came to realize, were things she mistakenly thought we’d done or imagined we were going to do.

In Minnesota, my father had always been the disciplinarian in the family, and I can honestly say I don’t remember, in all the years before the move, my mother ever even scolding me. In the first place, I was a well-behaved child who naively believed that it was possible for a person to be perfect—and that’s what we all should aspire to be.

On the rare occasions my dad “disciplined” me when I was younger—for what, I no longer remember—he stripped me, put me in our old-fashioned claw-foot bathtub, and using a hose, showered me with cold water. Years later, when I heard about how Estelle had stripped his brother Ray and put him in the bathtub, where she beat him with an iron cord, it occurred to me that my father was repeating what he’d seen as a child, but since he wasn’t beating me, he imagined there was nothing abusive about what he was doing. Actually, I think there was—because I came to associate nakedness with shame. And I think for a father to strip a female child to punish her is a violation that borders on the incestuous. (My brother he spanked with a belt.)

But if my dad had shamed me physically, it was my mom who resorted to shaming me verbally. I was thirteen years old and, never having been treated this way before, I knew that I didn’t deserve her vitriol, and I felt outraged by it. She verbally abused my brother too, calling us both “selfish,” “manipulative,” and “exploitative.”

What’s more, she flew into violent rages and would chase one or the other of us up the stairs of our little apartment, so frenzied that she could only make grunting noises like a wild animal, and try to claw at us with fingers like talons. Fortunately, we were old enough to outrun her and would lock ourselves in the bathroom until she calmed down. Later she would weep and apologize.

The last time I saw my father, he told me he’d seen this rage in my mother once during their marriage and never felt the same way about her again. But I’d never so much as glimpsed this side of my mom before. If I had, as miserable as I’d become in Minnesota, I would never have agreed to move to California. In fact, it wasn’t long before I’d made up my mind that when my brother and I went to visit my dad the following summer, I would stay on and live with him permanently. I kept this resolve a secret, even from my brother, for fear he would let the cat out of the bag. Even a father who intimidated me was better than a mom who used her children as scapegoats.

And perhaps I should mention before I go any further that in California my mom had become a marriage and family therapist.

FREUDIAN SLIPS

FREUDIAN SLIPS

FREUDIAN SLIPS

It’s been a little over a year since I wrote in my journal:

Today I made a decision as I was driving back from the Plunge after me swim: that when my website—Eager Reader Press—goes up next month, I’m going to use it not just to sell the children’s books I’ve written and illustrated, but, at least occasionally, as a platform to talk about child abuse and the impact it has had on my life.

The catalyst for this decision was an insight I had the other morning when I woke up from a recurring abandonment dream. Throughout my adult life I’ve made two types of Freudian slips—not in speech, but in writing:

One is to unwittingly write “a” instead of “I,” as though I were an indefinite article rather than a definite one—an error I make whether I’m writing in longhand or typing. I also write “my” instead of “me,” again as though I were a collection of attributes but lacked a cohesive sense of self. On the infrequent occasions I’m feeling a buoyant confidence, however, I’m apt to make the opposite mistake and write “I” for “a” and “me” for “my,” which I see that I did in my first sentence—a promising sign.

The second mistake I’m liable to make is to omit “not” or the contraction “n’t” in a sentence. Why do I try to write a negative statement and find, when I re-read it, that I’ve written a positive one? I’ve wondered for years. After my dream, I think I finally understand: What I commit to the page represents the overt—the public—side of myself, the face I show to the world. I omit “not” and “n’t because they represent the negative side of myself that I try to keep hidden—the anxiety, anger, and shame that are a legacy of my childhood. And so it remains hidden on the page—an unconscious reminder of all that I’m leaving unexpressed.